Sony ICFC414 Sony Clock Radio

Sony ICFC414 Sony Clock Radio

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Sony ICFC414 Sony Clock Radio

by Sony

Price:$19.95 & eligible for FREE Super Saver Shipping on orders over $25. Details

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Product Description

Wake up on time with the ICF-C414 AM/FM clock radio. Boasting a large 1.4" LED display with adjustable brightness and an automatic daylight savings time feature, it will provide reliable time-keeping during your slumber. A back-up battery system and NO POWER NO PROBLEM dual alarm system add extra peace of mind for those can't-miss appointments.

Most Helpful Customer Reviews

180 of 181 people found the following review helpful:

5.0 out of 5 stars Great Simple Alarm Clock, May 17, 2009

By B. Jackson -

Amazon Verified Purchase(What's this?)

This review is from: Sony ICFC414 Sony Clock Radio (Electronics)

I bought this to replace my old alarm clock. It has a sleek design that takes up very little space. It has two alarms and can be set to radio, beeps or songs and has an adjustable snooze setting. The built in radio works well and there's a sleep setting so that if you like to fall asleep to the radio you can have it automatically shut off after a certain amount of time.
It has an adjustable brightness level, but I found its default/highest level to be suitable. At that level it's bright enough to see in the dark, but not bright enough to keep me up. The alarm is easy to wake up to and gradually gets louder on the beep setting. It automatically set itself to the correct time and date as soon as I plugged it in, all I had to do is set the time zone. It has a DST feature that can be turned off or on.
The only feature lacking is the ability to customize the alarm for either weekdays, weekends or both. It's not a big deal, especially with two alarms but it would have been nice. Overall I'm very pleased with this alarm clock.

Decent Alarm Clock, July 31, 2009

By Jody & Dave (Cicero, NY) -

This review is from: Sony ICFC414 Sony Clock Radio (Electronics)

Decent alarm clock for the price.
Pros: inexpensive, preset time, dst auto adjust, battery backup for power failure, easy to tune radio stations, easy to read display, brightness of display is adjustable.
Cons: Alarm "A" can be set to chime or radio, Alarm "B" can only be set to chime or an electronic tune. Both alarms cannot be set to the radio. Cannot adjust or view the alarm setpoint unless the alarm is turned on, so when you pass the current time the alarm activates. Radio sound is poor but in line with the price of the alarm clock. The snooze can increased from 10 min to 20 min to 30 min etc, but if you hit the snooze button twice while initially silencing the alarm, you go straight to the 20 min snooze.
Overall: a good alarm clock for the price but I would have paid more for a full featured clock radio had I know its limitations up front.

Sony ICF-C318 Automatic Time Set Clock Radio with Dual Alarm (White)

10:33 PM by lowellpendon 0 comments

clock

Sony ICF-C318 Automatic Time Set Clock Radio with Dual Alarm (White)

by Sony

List Price:$19.99

                                                              Price:$14.00 Free Shipping

You Save:$5.99 (30%)

Product Description

From the Manufacturer

This practical clock radio with super big display for easy reading comes with two independent alarms--one for you, one for your partner. Wake to radio or buzzer to start the day on time. The ICF-C318 has a 0.9" green LED display, which is easily viewable from across the room, but takes up very little space on your nightstand. It hosts a number of features including dual alarm, extendable snooze bar, built-in calendar and full power memory back up.

ATS (Automatic Time Set)

The correct EST (Eastern Standard Time) has been preset at the factory, so just plug the clock in and adjust the time zone as necessary. In the case of a power interruption, the built-in Lithium battery maintains the correct time so when the power returns you don't have to re-set the clock.

The Sony ICF-C318

The bright green led display is visible in any light

ADST (Automatic Daylight Savings Adjustment)

When Daylight Savings Time changes take place in the spring and fall each year, there is no need to adjust the clock because the built-in calendar recognizes the dates and automatically makes the proper time adjustments.

Highly Visible 0.9" Green LED

The display is easily viewable under a variety of lighting conditions. Whether in broad daylight or the middle of the night, the face remains easily readable.

Dual Alarms with Alarm Indicators

Set two separate wake-up times with individual wake-up settings and confirm that the alarm has been activated to turn on at the pre-set time.

Extendable Snooze

Choose your own snooze time instead of being held captive by the short time intervals of other snooze times. Each press of the snooze button adds an additional 10 minutes to your total snooze time for up to a full hour of uninterrupted sleep.

No Power No Problem Alarm System

The pre-installed Lithium battery maintains clock and alarm operation in the event of a blackout or other power failure. So you can sleep easy knowing you'll wake up on time.

Technical Specifications
  • Speaker Dimensions: 2-5/8" (66mm)
  • Speaker Type: Mono
  • Alarm: Radio or Buzzer
  • Antenna System: AM: Built-in Ferrite Bar Antenna; FM: Wire Antenna
  • Frequency Range: AM: 530-1710kHz; FM: 87.5-108MHz
  • Tuner Type: Analog
  • Battery Life (Approx): Up to 250 Days (with Sony battery)1
  • Output Power: 120mW (at 10% harmonic distortion)
  • Power Back-up: Built-in Battery for Full Power Back-Up
  • Dimensions (Approx.): W 6-1/8" x H 3-5/16" x D 5-15/16" (155 x 82.8 x 151.5mm)
  • Weight (Approx.): 1 lb 2 oz (524g)
Product Description

Always know what time it is. The ICF-C318 has a 0.9" green LED display, which is easily viewable from across the room, but takes up very little space on your nightstand. It hosts a number of features including dual alarm, extendable snooze bar, built-in calendar and full power memory back up.

Most Helpful Customer Reviews

Easy, accurate, but politely quiet,

By K. West "Observer" -

This review is from: Sony ICF-C318 Automatic Time Set Clock Radio with Dual Alarm (White) (Electronics)

I bought two of these, (one for my husband and one for my teenage son), since they would automatically reset themselves after a power outage. They both immediately complained that the alarms were not loud enough, (both are VERY heavy sleepers). It does have a very light and polite beep with no volume control. However, the beeps gradually increase in frequency and after week of use, both of them are waking up easily to the sound and without the jarring blasts from our old alarms.
So, it may require getting accustomed to for heavy sleepers, but it's great for those of us who don't like to be blasted awake every day.

Best Alarm Clock we Ever Owned - Called a Dream Machine and it really is!, November 24, 2007

By K. Evans "Picky Consumer" -

This review is from: Sony ICF-C318 Automatic Time Set Clock Radio with Dual Alarm (White) (Electronics)

When our old alarm went out I had to find a new alarm quickly. When I found the Sony ICF-C318, I was just happy to discover it had no external antennae to deal with. What a bonus to find that not only was it small and inexpensive, but had no funky extra wires. It has two alarms & the time and date are automatically set! All I did is plug it in. The date was automatically correct. And if there's a power surge or power outage, it has a battery back-up (battery is included and already installed) and it loses no time. We didn't believe that, of course, and had to play with it by unplugging it a few times to test it, but it worked great! We didn't even have to re-set the time zone. Also, I usually had to re-set the alarm for my husband, but no longer. I set the A alarm for me and the B alarm for him and we are done. What I also found wonderful about this alarm was that when you set the alarm time, you can go backward or forward. Our old alarm could only go forward and it took forever; setting this alarm is a breeze. Amazing, truly.

Samsung i9100 Galaxy S II Unlocked GSM Smartphone with 8 MP Camera, Android OS, 16 GB Internal Memory, Touchscreen, Wi-Fi, and GPS--No Warranty (Noble Black)

4:57 PM by lowellpendon 0 comments

Samsung i9100 Galaxy S II Unlocked GSM Smartphone with 8 MP Camera, Android OS, 16 GB Internal Memory, Touchscreen, Wi-Fi, and GPS--No Warranty (Noble Black)

Samsung i9100 Galaxy S II Unlocked GSM Smartphone with 8 MP Camera, Android OS, 16 GB Internal Memory, Touchscreen, Wi-Fi, and GPS--No Warranty (Noble Black)

by Samsung

List Price: $899.99

Price: $567.99 & this item ships for FREE with Super Saver Shipping. Details

You Save:$332.00 (37%)

Product Description

The follow-up to the extremely successful GALAXY S, Samsung's GALAXY S II is a powerhouse of a smartphone in a fantastically sleek and lightweight design. Considerably thinner than the original GALAXY S and rivals such as the iPhone 4 (8.49mm v 9.3mm) the GALAXY S II is stunningly light (only 117g) and packs the latest version of Android (Gingerbread). The one feature most people will notice immediately is Samsung's best ever screen; the monster 4.27-inch Super AMOLED Plus screen runs at 480 x 800 resolution, has colours visibly brighter and more vivid than other phones, better contrast and lower power consumption, and performs superbly for gaming and watching video. Plus there's an 8.1 megapixel camera with full 1080p HD video recording, video playback at 30 frames per second and a dual-core processor, with each core running at a blistering 1Ghz for an incredibly responsive experience. The GALAXY S II comes with four hubs to help you make the most of your Galaxy S II; Social, your chatting life in one place, Readers, Samsung's new ebook reader area, Game, the easiest way to download and play the best games, and Music, with access to over 12 million tracks.

 

Product Features and Technical Details

Product Features

 

  • Operation System: Android Platform 2.3. Dual Core Application Processor provides unsurpassed functionality and density for faster browsing, quicker multi-tasking, a smoother UI, snappier streaming and highly efficient gaming.
  • Display: 4.3" WVGA SUPER AMOLED Plus. The 4.3" SUPER AMOLED Plus display goes a step beyond the already remarkable SUPER AMOLED to provide enhanced readability, a slimmer design, and better battery consumption for the best viewing value of any smartphone.
  • Camera: 8MP AF with LED Flash + 2MP Front Camera
  • Connectivity: Wi-Fi a/b/g/n, BT v3.0+HS, USB v2.0. Battery: 1650mAh

Dimensions

  • Size (LWH): 2.6 inches, 0.33 inches, 4.93 inches
  • Weight: 4.16 ounces

 

Most Helpful Customer Reviews

 Best screen on any phone period, very fast hardware - probably best Android phone to date, May 19, 2011

By int19h (Redmond, WA, USA) -

Amazon Verified Purchase

This review is from: Samsung i9100 Galaxy S II Unlocked GSM Smartphone with 8 MP Camera, Android OS, 16 GB Internal Memory, Touchscreen, Wi-Fi, and GPS--No Warranty (Noble Black) (Wireless Phone Accessory)

Good things:
- Awesome screen - all the greatness of OLED (perfect blacks, high contrast, looks good in direct sunlight) without the ugliness that was PenTile. Here you just get the bright, popping colors. Oh, and at 4.3", it's a pleasure to look at from any distance. The resolution is still 800x480, though. Wish they'd up it to match iPhone.
- Very light. I mean, VERY light. Samsung wasn't kidding when they stressed that point. Considering the size of this thing, it's very hard to believe. When you put the phone into someone else's hand for the first time, they usually are confused because they expect it to feel more "solid", and not so featherweight.
- Fairly thin. Good if you wear your phone in the pocket of your pants.
- The UI is buttery smooth, with no hiccups that are common on all other Android phones I've seen. Not sure if it's Samsung's new powerful GPU (Exynos), software optimizations that they did, or a combination of both, but overall this thing is just as slick as iPhone 4.
- It can be rooted, and custom ROMs already exist. No signed bootloaders or other similar malarkey.
- It comes with Android 2.3. That means better perf, WiFi tethering/hotspot out of the box, and the ability to tilt and rotate the map in Google Maps - among other things.
- It comes with Polaris Office. It is a very nice Android office suite - from what I've seen so far, more full-featured than Docs to Go, QuickOffice etc - especially when it comes to supporting advanced MS Office features such as charts. It cannot be purchased from the market, and only comes bundled with select devices, such as this one or Asus Transformer.
- MicroSD card slot, for all those gigabytes of music.
Bad things:
- Battery life doesn't seem to be so good. It gets through the day, but if you forget to charge it in the evening it won't last you a second day (except if only on standby).
- It heats up quite a bit when in active use. More so than any other phone I've used. It's not exactly a surprise considering 1.2GHz dual-core CPU and a powerful GPU, and I suspect that ultra-thin form factor makes cooling less efficient than it could have been otherwise. Overall it's tolerable, but very noticeable.
- Some applications seem to be showing images in 16-bit color rather than 32-bit (particularly the browser). This leads to nasty dithering artifacts, especially on bands of clear colors and gradients. Head to XDA-developers forum for Galaxy S II for more details on this. It seems to be a software issue, so future updates may solve it.
Things to be aware of:
- Front is full glass, back is textured plastic. I love the back for the texture, which looks pretty nice and gives a good grip when held, but it's not as "oh, shiny" as iPhone 4. Lack of metal seems to be what makes it so light, among other things. On the other hand, I didn't notice any creaking, so assembly is high-quality.
- It runs Android 2.3.3, not any later version (as of this writing). This means no voice/video chat in Google Talk. Google Voice can be installed (in US) and works fine. There's no clear schedule on official updates so far.
- Android is not stock, but Samsung's TouchWiz. This is much less invasive than what you typically see on HTC Android phones, and some changes are fairly nice. But many people prefer stock.
- No CyanogenMod (as of this writing). There is a thread on XDA forums where you can pledge $$$ for the first person to make CM run on this if you care.

Marware C.E.O. Hybrid for Kindle Fire Cover, Pink

2:09 PM by lowellpendon 0 comments

Marware C.E.O. Hybrid for Kindle Fire Cover

Marware C.E.O. Hybrid for Kindle Fire Cover, Pink

by Marware


Price:$44.99 & this item ships for FREE with Super Saver Shipping. Details

This item will be released on November 15, 2011.
You may pre-order it now and we will deliver it to you when it arrives.
Ships from and sold by Amazon.com. Gift-wrap available.

 

Product Description

Color: Pink

Product Description
Marware C.E.O. Hybrid for Kindle Fire

Marware C.E.O. Hybrid Kindle Fire cover

The epitome of thought-provoking design, the Marware C.E.O. Hybrid Kindle Fire cover improves upon the traditional padded leather folio cover with stylish, low profile multi-functionality. Covered in soft leather and lined with microsuede, the C.E.O. Hybrid elegantly protects your new Kindle Fire against scratches and impact.

With a flip of the lid, this leather cover transforms from a protective folio to a Kindle device stand for viewing or display. Add those features along with an innovative hand strap for enhanced grip and an elastic strap to hold the case closed or open, and you have the latest addition to our best-selling line of multi-functional covers – the C.E.O Hybrid for the Kindle Fire.

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Product Description

The epitome of thought-provoking design, the Marware C.E.O. Hybrid Kindle cover improves upon the traditional padded leather folio cover with stylish, low profile multi-functionality. Covered in soft leather and lined with microsuede, the C.E.O. Hybrid elegantly protects your new Kindle against scratches and impact. With a flip of the lid, this leather cover transforms from a protective folio to a Kindle device stand for viewing or display. Add those features along with an innovative hand strap for enhanced grip and an elastic strap to hold the case closed or open, and you have the latest addition to our best-selling line of multi-functional covers – the

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

1:55 PM by lowellpendon 0 comments

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCDCanon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

by Canon

List Price:$1,299.00

Price:$1,189.95 & this item ships for FREE with Super Saver Shipping. Details

                                                You Save:$109.05 (8%)

Canon EOS 60D Digital SLR: In-depth review by dpreview.com

Read the full Canon EOS 60D Digital SLR preview at dpreview.com

It's been a busy period here at dpreview but behind the scenes we've been shooting with and testing many of the big Photokina 2010 releases. The 60D is not the direct replacement for the 50D that many Canon users expected but there's still an awful lot of 7D fitting into a smaller, lighter body with an articulated screen that is likely to appeal to video shooters. It has the same 18MP sensor as the 7D and 550D and the large, bright viewfinder from its predecessor. It becomes the first X0D camera to have a plastic, rather than metal, body but it also becomes the first to have an articulated screen - a variant of the excellent 1.04 million dot 3:2 screen from the 550D. So how well do all these elements come together and do they create a 'super Rebel' for entry-level users to aspire to?

Product Details

Style: With 18-200mm Lens

  • Product Dimensions: 8 x 10 x 6 inches ; 6 pounds
  • Shipping Weight: 5 pounds (View shipping rates and policies)
  • Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
  • ASIN: B0049WJWJ0
  • Item model number: 60D 18-200mm Kit

Most Helpful Customer Reviews

A nice camera - fits right in between the T2i and 7D,

By C. Vincent (Rochester, NY) -
This review is from: Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) (Electronics)

Simply put: Chances are good that your expectations and what you are looking for will determine whether or not you like this camera.
The newest addition to Canon's XXD line might initially seem like a minor downgrade to the previous XXD cameras, but several new capabilities actually help make this a nice, well-featured camera that will appeal to many people who don't get caught up in whether or not this is a better camera than it's predecessor. Canon certainly made this camera for the price point and was careful to add just enough features to make it desirable over the T2i, but not desirable enough to compete with the 7D. In some respects though, it seems like a beefed-up version of the Rebel line (a "Super-Rebel") instead of a new addition to the XXD line.
As someone who has now had the opportunity to use all three of Canon's mid-range lineup (the T2i, 60D, and 7D), I have to say that I really like the feel of the 60D. Even though it no longer has the magnesium alloy body, it feels solid. In no way does it feel cheap. I have fairly small hands and the 60D feels like it was made for me. It's significantly lighter than the 7D and feels like it would be much more friendly on long hikes. The 7D feels much more robust; however, the 60D feels much more "comfy". It is definitely bigger in size than the T2i, but the angles and design of the camera have a nicely updated feel to them that makes it seem like you are getting a much more substantial camera. The articulating screen was also done very well. My initial worries that the screen would feel cheap and break easily were immediately relieved after using it. The hinges are very solid and feel almost stiff to the point where you are comfortable with it staying right where you want it. It also is very flush with the rest of the body and offers little space in between.
Aside from the feel, the camera takes beautiful pictures. Quality-wise, there is very little difference between the pictures that come out of the T2i, 60D, and 7D. ISO performance is very similar and therefore can not be much of a deciding factor between the models. Most of the decision factors really will focus on which user interface and camera system best appeals to your type and level of photography. Each of Canon's mid-range models has it's own pros and cons, and while there are MANY differences between each camera, these are the main points I considered when deciding between cameras to purchase (hopefully it helps those going through the same decision I did):
60D vs. 50D:
(+) New Sensor - the same 18MP sensor that the 7D and T2i have, better ISO coverage/performance
(+) 63 zone dual-layer metering
(+) Better viewfinder - 96% coverage vs 95% coverage
(+) Video
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions
(-) The magnesium alloy body of the 50D has been replaced with a polycarbonate body
(-) 6.3 fps shooting is down to 5.3 fps
(-) No lens microadjustment in 60D
(+/-) Compact flash card slot has been changed to a SD card slot
(+/-) Joystick replaced by directional pad
60D vs. T2i
(+) 9 all cross-type AF points vs T2i's 9 points w/ 1 center cross-type
(+) 96%, .95 magnification pentaprism viewfinder vs T2i's 95%, .87 magnification pentamirror viewfinder
(+) Articulating screen
(+) Wireless flash control
(+) Horizontal electronic level
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Top LCD screen
(+) 5.3 fps vs 3.7 fps
(+) Built in adjustable audio level capability in video
60D vs. 7D
(+) Articulating screen
(+) In camera processing (new RAW processing feature and in camera filter effects)
(+) Control over max auto-ISO
(+) Eye-Fi wifi file transfer functions
(+) Built in adjustable audio level capability in video
(-) 9 all cross-type AF points vs 7D's 19 all cross-type points
(-) Less AF features (such as Zone AF and Point Expansion)
(-) Polycarbonate body vs 7D's magnesium alloy
(-) 96%, .95 magnification pentaprism viewfinder vs 7D's 100%, 1.0x magnification pentaprism viewfinder
(-) Transmissive LCD screen on focus screen on 7D
(-) Only horizontal electronic level vs both horizontal and vertical level on 7D
(-) 5.3 fps vs 7D's 8 fps
(-) No lens microadjustment in 60D
(-) Shutter life of 100,000 vs 7D's 150,000
(-) Dual DIGIC 4 processors in 7D
(-) 3 custom settings in 7D; 1 custom settings in 60D
(-) No PC Sync in 60D
By comparing these features, it's easy to see that the 60D fits well in the price point directly between the T2i and 7D, but of course, a large segment of previous 40D and 50D owners hoping for a true successor that isn't watered down to a certain price point will still undoubtedly be disappointed. It's easy to see in comparing the 60D to the 7D and also to Nikon's newest offerings that Canon chose to limit functionality merely so that 60D sales didn't interfere with the 7D. In fact, if you are not completely entrenched in the Canon camp, I would also suggest looking at the new Nikon D7000. It looks like a spectacular camera for not much more than the 60D. I have not used it nor will I, so I can't comment on whether it's a better choice or not.
Even so, the quality of the 60D and new functionality offer enough new aspects that many customers will surely be happy with it. The articulating screen offers a way to attain tough shots that would have previously demanded extra equipment or odd contortions to reach. It also gives a great new avenue for video capture. Eye-fi wireless transfers work well and help out on those lazy days where you just want to set your camera down and have the work of transferring photos be done for you. Much of the in camera post-production comes off as being a little "gimmicky" to me, but having the option to add effects and process photos definitely doesn't detract from the camera. And many people who don't do much of their own post-processing after transfer to a computer will probably find the in camera RAW conversion and creative effects to be a nice addition.
To me, it really came down to one major factor though: autofocus. I tend to do a lot of shooting involving fast moving subjects, so autofocus for my photography is key. The T1i and T2i were disappointing in this respect. 9 points with one cross-type in the T1i/T2i is respectable, but I found that I really could only rely on using the center point in AI servo mode to get many speedy subjects in focus. I purchased a 7D later, and was blown away by the accuracy. The options of using extra points for expansion, using autofocus zones, having 19 full cross-type points, superior subject tracking, and even the option for narrowing the points in spot autofocus really opened up new areas of photography for me. I get about 10x the amount of usable shots than I would with the T1i and T2i. The 60D isn't THAT good, but it is still much better than the T1i/T2i. In fact, just like with almost everything else about the camera, it's just about right in between the T2i and 7D. Autofocus is fast and accurate, but there are still moments where subjects just move too fast and unfortunately, the 60D doesn't have the capabilities of the 7D. If you are deciding between the 7D and 60D, this is the area you should really look at, because this is the real difference between the 2 cameras. I chose the 7D, and then decided to give the 60D a try just to see if I made the right decision. I am happy with my 7D, but the 60D was no slouch.
In my honest opinion, I think this is a huge sticking point for 40D and 50D owners though. The autofocus system needed to be updated from the previous 2 XXD editions. It has the same 9 cross-type points as the 40D and 50D did before it, and same functionality. To be a good upgrade for previous XXD users, it didn't have to be as good or better than the 7D, but it would have been nice for it to be better than the previous 2 models. Removing the magnesium alloy body and lens microadjustment really comes across as a slap in the face to some users who valued those aspects. I have to say that the body is much lighter, doesn't feel significantly less sturdy (even though it probably is less sturdy), and I've never needed to use lens microadjustment though, so I'm not overly upset about those aspects. I am not thrilled about the "non-update" of the autofocus system though.
Now that I have handled and used all 3 cameras currently in Canon's mid-range lineup, I can definitively say that they are all stellar cameras, but just made for different segments of the market. The T2i is an amazing starter camera and takes great photos for those who want to save a little extra money by going without some of the features they might not use. It might be the best budget option for those who don't take many action shots. For an extra few hundred dollars, the 60D adds some intriguing new features and seems to be aimed at the people who want a slightly higher-end camera than the T2i, but aren't ready to shell out the money for the 7D. It's a great compromise, and to me, the main thing you are missing out on is superior autofocus capabilities. The 7D is more aimed towards the pro-sumer market who want/need a faster autofocus and overall faster, more rugged camera. It's hard to go wrong with any of them, but the 60D offers a great blend of features from both the T2i and 7D along with new... Read more ›

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens

10:35 AM by lowellpendon 0 comments

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens

by Canon

List Price: $899.95

Price:See price in cart(Why don't we show the price?)

Canon EOS Rebel T2i: Review by dpreview.com

Read the full Canon EOS Rebel T2i review at dpreview.com

The EOS 550D combines high-end features adopted from the 7D, with the low-cost, user-friendly ergonomics of previous entry-level models like the EOS 500D. On paper its the most compelling Rebel-series DSLR to date, so can it span the bridge between first-time DSLR buyers and more experienced users? Read our full test to find out.

Product Description

Style: With 18-55mm Lens

From the Manufacturer

The new flagship of the EOS Rebel line, Canon EOS Rebel T2i brings professional EOS features into an easy to use, lightweight digital SLR that's a joy to use. Featuring a class-leading 18.0-megapixel CMOS image sensor and increased light sensitivity for low light photography, the EOS Rebel T2i also has an advanced HD Movie mode for gorgeous Full HD movies. Able to capture up to 3.7 frames per second, it's ready to go the minute it's picked up. Advanced Live View, a new wide-area screen, plus features like Canon's brilliant Auto Lighting Optimizer and Highlight Tone features ensure brilliant photos and movies, easily. With some of the most advanced features of any digital SLR, it's simply the best Rebel Canon has ever created.

Canon EOS Rebel T2i highlights

EOS Rebel T2i Highlights
18.0-megapixel CMOS (APS-C) sensor and DIGIC 4 Image Processor
The EOS Rebel T2i has an 18.0-megapixel CMOS sensor that captures images with exceptional clarity and tonal range and offers more than enough resolution for big enlargements or crops. This first-class sensor features many of the same new technologies as used by professional Canon cameras to maximize each pixel's light-gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

Canon EOS Rebel T2i highlights

DIGIC 4 Image Processor
The Canon DIGIC 4 Image Processor dramatically speeds up the entire EOS Rebel T2i's camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T2i's CMOS Image Sensor to achieve phenomenal levels of performance in nearly any situation.

Canon EOS Rebel T2i highlights

Capture stunning shots in low light.

ISO 100-6400 (expandable to 12800) for shooting from bright to dim light
The EOS Rebel T2i features an expanded ISO range that makes shooting possible in situations previously unthinkable without flash. With an ISO rating up to 6400 (expandable to ISO 12800), along with the DIGIC 4 Image Processor's improved noise-reduction technology, creative possibilities abound. Combine the EOS Rebel T2i with one of Canon's EF or EF-S lenses with Optical Image Stabilizer and the shooting possibilities for both movies and stills expand even further.
Improved EOS Movie mode with manual exposure control
Designed for the evolving, tech-savvy user, the EOS Rebel T2i features HD Video capture technologies--manual exposure control for more creative control, for example--borrowed directly from professional Canon SLRs to capture stellar video with all the benefits of shooting with an SLR. By shooting video with the EOS Rebel T2i, photographers as well as filmmakers can take advantage of the creative features native to SLR cameras. Along with its manual controls, the EOS Rebel T2i allows for full use of Canon EF and EF-S lenses, including Macro and Fisheye, providing a plethora of shooting options once reserved only for still photography. The resulting HD video is a standout in its beautiful depth-of-field characteristics and remarkable capture capability under poor lighting conditions. In a first for EOS cameras, a Movie Crop function is included: An SD-quality movie (640 x 480) can be cropped to the equivalent of about 7x magnification of regular shooting.

Canon EOS Rebel T2i highlights

Video can be captured at a number of resolutions and frame rates for numerous applications. It can capture 1920 x 1080 Full HD video at frame rates of 24 (23.976), 25 or 30 (29.97) frames per second, for up to 4GB per clip. Movies are saved as MOV files and can be viewed in Full HD through the EOS Rebel T2i's HDMI output. Other recording sizes include HD at 1280 x 720 (50/60 (59.94) fps) or SD/VGA at 640 x 480 (50/60 (59.94) fps). The EOS Rebel T2i has a built-in microphone for simple mono recording and stereo sound can be recorded through a self-powered external microphone.

Wide 3.0-inch (3:2 aspect ratio) Clear View LCD monitor
The EOS Rebel T2i has a high-resolution 3.0-inch Clear View LCD monitor that features 1.04 million dots/VGA for spectacular detail. It also has the same aspect ratio (3:2) as the camera's sensor, making for clear and easy Live View composition. An anti-reflective and water-repellant coating provides a clearer and more smudge-resistant surface and screen brightness can be adjusted in 7 steps in accordance with ambient light.

Canon EOS Rebel T2i highlights

New Quick Control Screen button
The EOS Rebel T2i's refined button layout includes a dedicated button that directs the camera immediately to the Quick Control screen, where it's simple to navigate among any number of settings, including ISO, Exposure and Flash Exposure compensation, drive mode, white balance, image quality and much, much more.

Canon EOS Rebel T2i highlights

Canon EOS Rebel T2i highlights

Improved layout with dedicated Live View/Movie shooting button
Without the need to navigate through a bunch of menus, the EOS Rebel T2i transitions effortlessly between still and movie mode. By pressing the Live View/Movie button, a situation that had required menu access with other cameras, still images can change to a movie shoot and vice versa. It's literally as simple as the press of a button.
3.7fps continuous shooting up to approximately 34 JPEGs or approximately 6 RAW
The EOS Rebel T2i can shoot up to 3.7 frames per second (fps) for up to approximately 6 consecutive RAW files or approximately 34 full-resolution JPEGs. Shooting at speeds of up to 1/4000 sec., the EOS Rebel T2i can capture even rapidly-unfolding scenes with ease.

Compatible with the full line of Canon EF and EF-S lenses

Canon EOS Rebel T2i highlights

EF Lenses
The EOS Rebel T2i is compatible with all Canon lenses in the EF lineup, including compact and lightweight EF-S lenses, ranging from ultra-wide angle to super telephoto lenses. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver outstanding performance and deliver beautiful results. Special technologies like the Canon Image Stabilizer technology in select lenses helps to minimize the effect of camera shake, effectively adding up to four stops of light. With a dizzying array of lenses perfect for travel, sports, still life and everything in between, photographers can truly maximize the quality and performance of their EOS Rebel T2i with superlative Canon optics.

ZoomBrowser EX (Version 6.5.0) for Windows and ImageBrowser (Version 6.5.0) for Mac OS X are the easy, user-friendly options for viewing and editing of JPEG and even RAW image files. Both allow viewing of numerous types of images including finished TIFF and BMP files. Both also have a variety of search options for finding images, allow re-naming of single images or batches of files, and offer a variety of options for printing without using a separate image-editing program.

Canon EOS Rebel T2i highlights

What's in the Box

  • EOS Rebel T2i Body
  • EF-S 18-55mm f/3.5-5.6 IS Lens
  • Eyecup Ef (Not shown)
  • Wide Strap EW-100DBIII
  • USB Interface Cable IFC-130U
  • AV Cable AVC-DC400ST
  • Battery Pack LP-E8
  • Battery Charger LC-E8
  • EOS Digital Solution Disk and Instruction Manuals
  • "Great Photography is Easy" Booklet and "Do More with Macro" Booklet (not shown)

Most Helpful Customer Reviews

 PERFECT!,

By G. Argov -

This review is from: Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens (Electronics)

Whether you're new to the world of DSLRs, or are a seasoned photographer who wants to try your luck at video, the Canon Rebel T2i is perfect. I've had nothing but great experiences with it so far, and highly recommend to everyone.
Other than the T2i, I own (and primarily shoot with) the Rebel XS (1000D), and also have extensive experience with the Canon 50D. While my XS still serves me very well, I wanted to get an SLR with video capabilities since the release of the T1i. After finally saving up enough for the T1i, I really lucked out that Canon announced the T2i, which has even better features! I am lucky enough to finally have it, and want to share my experiences, and how they compare to my expectations
==================
OVERALL IMPRESSIONS
The camera is very small and light. It is not weather-sealed or as durable as some of the more expensive SLRs, but it doesn't "feel cheap" in my opinion. It features a 3-inch LCD (compared to the Rebel XS's 2.5 inch screen), which also has a very high resolution. It looks lovely! Auto-focus is fast, and I've been very pleased with the quality of the pictures and videos I've taken so far.
==================
PROS
IMAGE QUALITY: I feared that cramming so many megapixels onto this sensor, there would be a lot of image 'noise' (the megapixel myth). This thankfully hasn't been an issue, and I've been very pleased with the pictures taken with this camera! Aside from White Balance issues (see below, Cons), image quality is pretty good!
VIDEO: Some people have disparagingly said that Video on DSLRs is just a gimmick. I disagree. Based on sample clips I'd seen on YouTube, I was excited about getting an HDSLR, and while videos are sometimes shaky if you don't have very steady hands, a tripod eliminates those concerns. Audio quality on the T1i was criticized by many, but the T2i has a microphone input jack, which allows you to connect a mic. I don't yet own one so can't comment on that feature, but will update this review if and when I save enough to try this feature out. Additionally, this offers improved recording options, including higher fps (frames per second) than the T1i, which technically offered "true HD" recording of 1080, but only at a choppy 20 fps.
LOW-LIGHT PERFORMANCE: I am much more impressed than I expected. My Rebel XS could go up to ISO 1600, but would perform pretty poorly there. This not only can go up to a significantly higher ISO level, but performs much better. Less image noise means you have to waste less time editing your pics, and many more keepers!
SDXC SUPPORT: Only own SDHC cards up until now, but it's great to know that this supports the next generation of flash storage, which means you'll in the future be able to hold many more pictures than currently available.
CONS
NOT A FULL-FRAME SLR: This is not a full-frame SLR like the Canon 5D Mark II, and the APS-C sized sensor results in a crop factor (1.6x), and doesn't necessarily provide the same image quality as the larger, full-frame sensor does. Still, at less than half the cost of the Mark II, I think this is a trade-off that's well worth it for most users.
Crop factor means that this camera, like other Canon DSLRs that have the APS-C size image sensor, will not be true to the lens's designation. A 50mm lens will produce an image more in line with 50mm x 1.6, or 80mm on a full-frame. This not only makes a difference for those who want to do landscape photography (which usually benefits from wide-angle views), but for those with unsteady hands. The general logic is that to ensure a steady shot, you need to shoot at the reciprocal of your focal length. So for a 50mm focal length, you should be shooting at a speed faster than 1/50 second for a steady shot. Keeping the crop factor in mind, you really should be shooting at a speed faster than 1/80 a second.
Crop factors are common for most digital SLRs, as full-frame sensors jack up the cost of production, which are then passed on to the consumer in the form of very expensive cameras. So it's not so much a shortcoming of the Rebel T2i, but just a note to keep in the back of your mind.
DIFFERENT BATTERY: This is more of a hassle for those who owned spare batteries than for those whose first SLR would be the T2i, but Canon changed the battery. Again, not such a big deal, but might be a hassle for some who find out that their old batteries can't be used on this model.
WHITE BALANCE: I found that the 'Auto' White-Balance setting was wildly inaccurate on my Rebel XS (often giving indoor shots a yellow tint unless I changed the WB to the 'Incandescent Light' mode), and I feel that the WB settings on this model still aren't as accurate as they should be. If you want truly accurate WB, you can use a gray card, or an alternative would be to simply try digitally editing the photos on your computer after shooting.
NO ARTICULATING SCREEN: No articulating screen, but this is a rare feature in DSLR's in general, so it's not a shortcoming of the T2i. Since most of your shots will probably be composed using the viewfinder, not a big deal, although it would have been convenient! If you absolutely must have an articulating screen on an HDSLR, look into the Nikon D5000.
===================
A NOTE ABOUT THE KIT LENS
The lens that comes with this is the standard 18-55 f/3.5-5.6 that comes with the other Rebels. It's a very good all-around lens, but you more likely than not will want to at some point upgrade your lens for either (a) better image quality, or (b) better performance in low-light conditions.
This lens is very good, but for pros or those who pay incredibly close attention to detail, the optical quality of Canon's higher-end lenses is superior than to the kit lens. For most users, I don't think image quality will be a huge issue.
More likely, the aperture size will be the reason people want to upgrade their lens over time. A lens with a wider aperture allows more light to reach the sensor in less time than a lens with a narrower aperture. That means you can employ a faster shutter speed, which allows you to snap the shot faster, reducing the likelihood of a blurry picture. Outdoors on a sunny day, this aperture range of this lens won't be a limiting factor; inside a poorly-lit gym, however, you'll notice some blurry shots (see below for a recommended alternative for low-light shooting).
Still, this is a pretty good all-around lens that can result in some great shots!
===================
RECOMMENDED ACCESSORIES
1. An external flash: This will come in very handy. With the built-in flash, your photos often come out harshly lit. Bouncing an external flash off the wall makes a huge difference in image quality. I personally use the Speedlite 580EX II, but there are cheaper alternatives that are very good. Some higher-end cameras (i.e. Canon 5D Mark II) don't even have a built-in flash, which goes to show something about how high-level photographers view the lighting provided by internal flashes.
2. 50mm f/1.8 II lens - At around one hundred dollars, this lens is relatively cheap when compared to others on the market. Despite its low price, it offers great image quality. While it lacks IS (image stabilization) like some other Canon lenses (including the kit lens), with a wide aperture of f/1.8, enough light usually comes in to ensure a fast shutter speed, which in turn minimizes camera shake. Keep in mind that as a 'prime' lens, your feet will have to do the zooming in and out. This is not as convenient as an everyday walk-around lens like the 18-55 kit lens which gives a good zoom range, but is a great lens for portraits. Also would ideally be a good option for poorly-lit places where the aperture of the kit-lens isn't wide enough to ensure a steady shot.
CONCLUSIONS
From my list of 4 pros and 4 cons, you might wonder why I'm giving this product 5 stars?... It's because considering the great performance - and low price - of the T2i, the 'cons' I list really aren't that big of a deal. Just because some cameras offer the aforementioned features the T2i lacks, it doesn't mean the T2i isn't a solid performer. On the contrary, I have been completely satisfied with this camera's image and video quality, performance, features, AND PRICE, and would recommend the T2i to anyone looking for an affordable way to capture memories!
------------------
EDIT 11/27/10
I just wanted to update this review to say that after shooting with the T2i for nearly half a year, I'm still as impressed by this camera as when I first got it. I have a few comments to expand on my initial review:
VIDEO I have been using the video mode a lot more than I initially expected. While it doesn't offer continuous auto-focus and therefore might not replace a camcorder, once you get the hang of manually focusing this is not a big problem. I many times have found myself in situations where photos couldn't capture the moment as well as a video could, and the ability to record clips has been very convenient.
A note on the video mode, however...while it's automatic exposure is fine for most situations, if you find your videos are grainy, it's best to manually control the exposure. I've seen that sometimes even in good lighting, the camera will keep the aperture small (to have a less shallow depth of field) and boost the ISO. You can get around that by manually adjusting exposure settings, but again, the automatic exposures are usually fine.
As for audio with videos, I personally still have not purchased an external microphone, but for those who are serious about movie production Amazon sells a highly popular 'Rode VideoMic' for a... Read more ›

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens

10:22 AM by lowellpendon 0 comments

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens

by Canon

List Price:$899.00

Price:$847.99 & this item ships for FREE with Super Saver Shipping. Details

You Save:$51.01 (6%)

 

Canon EOS T3i: Hands-on preview by dpreview.com

Read the full Canon EOS Rebel T3i quick review at dpreview.com

Canon has unveiled the EOS T3i (known in Europe as the EOS 600D) upper entry-level DSLR. It continues to use the 18MP CMOS sensor seen in the Rebel T2i (550D) but gains a tilt and swivel 1,040k dot LCD monitor like the one offered on the more expensive 60D. It also gains the ability to remotely control flashguns using its internal flash, a feature previously only featured on higher-end models. Alongside the camera, Canon is also launching the 18-55mm F3.5-5.6 IS II, a cosmetically revised version of its optically stabilized kit lens. We've had a chance to use pre-production versions of both and have prepared a Hands-On Preview of the EOS 600D including beta samples gallery.

Product Description

Style: With 18-55mm Lens

From the Manufacturer

High Resolution Still Capture
18.0 Megapixel CMOS (APS-C) sensor and DIGIC 4 Image Processor for high image quality and speed.

The EOS Rebel T3i has an 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor that captures images with exceptional clarity and tonal range and offers more than enough resolution for big enlargements or crops. This first-class sensor features many of the same new technologies as used by professional Canon cameras to maximize each pixel’s light-gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

DIGIC 4 Image Processor
The Canon DIGIC 4 Image Processor dramatically speeds up the entire EOS Rebel T3i DSLR’s camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T3i DSLR’s CMOS Image Sensor to achieve phenomenal levels of performance in nearly any situation.

Amazing Results, No Matter the Light.
ISO 100 – 6400 (expandable to 12800) for shooting from bright to dim light.

The EOS Rebel T3i features an expanded ISO range that makes shooting possible in situations previously unthinkable without flash. With an ISO rating up to 6400 (expandable to ISO 12800), along with the DIGIC 4 Image Processor's improved noise-reduction technology, creative possibilities abound. Combine the EOS Rebel T3i with one of Canon's EF or EF-S lenses with Optical Image Stabilizer and the shooting possibilities for both movies and stills expand even further.

HD Dreams Come True.
Improved EOS Full HD Movie mode with manual exposure control, expanded recording [1920 x 1080 Full HD video at frame rates of 30 (29.97), 24 (23.976) and 25.0 frames per second] with new Movie Digital zoom and Video Snapshot features for enhanced video shooting options.

In addition to a number of different recording size and frame rate modes, the EOS Rebel T3i enables easy manual control of exposure, focus and Live View features and even allows for in-camera editing. The large CMOS sensor and compatibility with over 60 lenses provide a wealth of depth-of-field options. And it’s all as easy as the press of a button — the EOS Rebel T3i has a dedicated Live View/Movie Recording start/stop button that gets the shooting started fast.

Three Recording Sizes
Full HD Video is captured at 1920 x 1080 resolution at 30p (29.97), 24p (23.976) or 25p frames per second, for up to 4GB per clip. Video are saved as .MOV files and can be viewed in Full HD with HDMI output. Other recording sizes include HD at 1280 x 720 (50p/60p (59.94) fps) or SD/VGA at 640 x 480 (30p (29.97) and 25p fps).

Never Miss a Moment.
3.7 fps continuous shooting up to approximately 34 JPEGs or approximately 6 RAW.

The EOS Rebel T3i can shoot up to 3.7 frames per second (fps) for up to approximately 6 consecutive RAW files or approximately 34 full-resolution JPEGs. Shooting at speeds of up to 1/4000 sec., the EOS Rebel T3i can capture even rapidly-unfolding scenes with ease.

The Best Optics for the Best Images.
Compatible with the full line of Canon EF and EF-S lenses.

EF Lenses
The EOS Rebel T3i is compatible with all Canon lenses in the EF lineup, including compact and lightweight EF-S lenses, ranging from ultra-wide angle to super telephoto lenses. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver outstanding performance and deliver beautiful results. Special technologies like the Canon Image Stabilizer technology in select lenses helps to minimize the effect of camera shake, effectively adding up to four stops of light. With a dizzying array of lenses perfect for travel, sports, still life and everything in between, photographers can truly maximize the quality and performance of their EOS Rebel T3i with superlative Canon optics.

Product Description

The Canon 5169B003 includes the EOS Rebel T3i Digital SLR Camera and EF-S 18-55mm f/3.5-5.6 IS type II Lens. This camera and lens will help photographers who are looking for an easy-to-use camera to create their next masterpiece. The next in a long line of phenomenal compact DSLRs, the EOS Rebel T3i continues the Rebel tradition of easy operation, compact design and no-compromise performance. Featuring Canon's newest DIGIC 4 Image Processor and an 18.0 Megapixel CMOS Image Sensor plus cutting-edge technologies like Full HD video recording, Live View shooting, Wireless flash photography and even a Vari-angle 3.0-inch LCD monitor, the EOS Rebel T3i offers the best of EOS photography in a compact package.

Most Helpful Customer Reviews

Choosing between the T3i, T2i, 60D and 7D,

By dojoklo (Cambridge, MA) -

This review is from: Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens (Electronics)

The Canon Rebel T3i takes the consumer level dSLR a couple steps closer to the mid-level Canon 60D with the addition of the rotating rear LCD screen, remote flash firing, and in-camera processing features. The already highly competent, older Rebel T2i already shared many important features with the 60D (and even features of the semi-pro 7D) including the 18 MP sensor, 63-zone exposure metering system, high ISO performance, HD movie capabilities, and Digic 4 image processor. With these new upgrades, it might make it even more difficult to choose between them. But there are some important differences.
If you are considering the Rebel T3i vs T2i, the Rebel T3i is replacing the T2i. Since both cameras share the same 18 megapixel sensor and Digic 4 processor, both the T2i and T3i will create images with exactly the same image quality, produce the same low light/ high ISO performance, shoot at 3.7 frames per second, and have nearly the same size and build quality. They are both offered with the same 18-55mm kit lens (with some minor cosmetic differences on the new T3i kit lens). The T3i is very slightly larger and heavier due to the addition of the rotating rear LCD monitor. And that is one of the biggest differences between the two cameras. Do you want and need a vari-angle rear screen or not? The other major difference is the ability of the T3i to remotely control multiple off-camera flashes. Like the 60D and 7D, you can use the built-in flash of the T3i to trigger other Canon Speedlites. Some other minor additions to the T3i include the Scene Intelligent Auto Mode, which is a feature borrowed from point and shoot cameras. When in Auto mode, the T3i will make a determination of what type of scene you are shooting - close-up, portrait, landscape, etc. - and automatically configure the camera settings accordingly. However, if you want to use a powerful and costly digital SLR as a point and shoot, you should probably save the money and just buy a nice, high quality point and shoot like the Canon S95. Other additional but not essential upgrades include the in-camera processing Creative Filters, and the ability to choose different image size ratios and to rate your images. (Helpful hint: press the Q Button while in image playback and you can access features like rating, rotating, and Creative Filters.) There is also a marginally helpful Feature Guide which gives brief descriptions of various settings and some additional video features like Video Snapshot, which you can use to shoot short video clips that are automatically joined together into a video, with music.
Canon Rebel T3i vs. 60D vs. 7D
Sensor and Image Quality: All three cameras share a very similar sensor and 18 megapixels, and so their image quality will be virtually the same. All are capable of taking professional quality images.
Exposure Metering: The three cameras all share the latest 63-zone, dual-layer exposure metering system and 4 metering modes. That means they will all determine the exposure virtually identically and enable you to take properly exposed photos in most every situation, including difficult back-lit scenes. The size of the areas metered for Partial and Spot metering vary slightly between the cameras, but that isn't anything critical.
Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group the numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.
Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.
ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.
Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q Button and Q Menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.
Menus and Custom Functions: These allow for greater control over customizing how the camera functions. The T3i has less Menu and Custom Function setting options than the 60D, and the 7D has yet a few more than the 60D. These settings enable you to customize the operation, function, and controls to work how you want them to, including things like exposure increments, peripheral illuminations correction for lenses (fixes dark corners), tweaking how the autofocus system operates, setting more precise white balance settings, and customizing which button does what. There are ebooks such as my Canon T3i Experience - The Still Photographer's Guide to Operation and Image Creation With the Canon Rebel T3i / EOS 600D and Your World 60D - The Photographer's Guide to Operation and Image Creation with the Canon 60D which walk you through all of the Menu settings and Custom Function settings so that you can set up your camera to work best for how you photograph, and also begin to learn to master all the advanced features, settings, and controls of these powerful dSLR camera.
Wireless Flash: Like the 7D and 60D, the T3i incorporates wireless flash triggering. This allows you to trigger multiple off camera flashes at different output levels. The T2i does not have this feature.
Articulating LCD Screen: The big new feature that the 60D and T3i have that the 7D and T2i do not is the articulating rear LCD screen. This may prove useful for videographers, as well as for setting up compositions while the camera is on a tripod, for macro use, or for using it from unusually low or high vantage points. Some users will be able to avoid buying an expensive angle finder because of this feature. There is also an electronic level in the 7D and 60D, visible in the viewfinder, rear LCD, or top LCD.
Viewfinder: The T3i has a pentamirror viewfinder with 95% coverage of the actual resulting image. The 60D has a large, bright pentaprism viewfinder with 96% coverage, not quite as nice as the nearly 100% view of the 7D pentaprism.
Processor: The T3i shares the same Digic 4 processor as the 60D. The 7D has dual Digic 4 processors. However, if you don't need to shoot dozens of continuous images, you probably won't notice any processing speed issues.
Continuous Shooting Speed: The T3i can shoot 3.7 frames per second. The 7D can shoot a blazing 8 frames per second, in which the photos barely change from frame to frame. The 60D can shoot a respectable 5.3 fps which is actually a more useful rate. If you need the extremely high fps for sports, wildlife, or other action shooting, get the 7D. If not, don't be swayed by this excessive feature.
Memory Card: The T3i and 60D use the SD memory card. The 7D uses the CF card.
Battery: The T3i and T2i use the smaller LP-E8 battery with less capacity than the LP-E6 battery used by the 60D and 7D.
Size and Weight: The T3i is smaller and lighter than the 60D, which in turn is smaller and lighter than the 7D. Go to a store and hold them to get a better... Read more ›

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

3:44 AM by lowellpendon 0 comments

Nikon D5100 16.2MP CMOS Digital SLR Camera

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

by Nikon

 


List Price:$849.00

Price:See price in cart

Nikon D5100 In-depth Review by dpreview.com

Read the full Nikon D5100 review at dpreview.com

Sitting between the entry-level D3100 and the upper mid-level D7000, the D5100 is a hard camera to categorise. It combines the user-friendly ergonomics of the D3100 with the impressive 16MP CMOS sensor of the D7000, but throws in a couple of neat tricks of its own, including an articulated LCD screen, and a set of all-new 'Effects' modes. So is the Nikon D5100 just an entry-level camera with delusions of grandeur, or is it a wolf in sheep's clothing? Read the full 23-page review at dpreview.com
Engadget Review

Read the Engadget Review

The D5100 will do your memories justice. It's a winner in our books, especially for the price.

Product Details

  • Product Dimensions: 5 x 5 x 7 inches ; 1.2 pounds
  • Shipping Weight: 4 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B004V4IWKG
  • Item model number: D5100 18-55mm Kit

Product Description

Style: With 18-55mm Lens

From the Manufacturer

The D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show.

From the Manufacturer

Enjoy Full HD 1080P picture quality

The Nikon D5100 offers a host of new photographic and video tools that deliver superior performance and exceptional image quality with surprising versatility. With 16.2 megapixels, a swivel Vari-Angle LCD monitor, full HD movie capabilities, new EFFECTS Mode and new HDR setting, you hold the power and performance to capture beautiful moments and the freedom to get creative.

Be creative from any point of view.

Vari-angle LCD Monitor
Creativity from any point of view

Take pictures or record movies from a unique viewpoint, the D5100’s 3.0 inch, super sharp, 921,000-dot Vari-angle LCD monitor allows for versatile high quality viewing and playback. Explore every angle, with overhead shots, waist level candids, ground level and fun self portraits; you will never miss a shot. This Vari-angle monitor allows you to be creative from any point of view.

Get creative with the D5100's Effects Mode.

Effects Mode
More fun and artistic pictures and movies

The D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show.

Effortless moviemaking on the D5100

Tell better stories
Full HD 1080p D-Movie with Sound

The D5100 delivers exceptionally high-quality movie performance due to its full HD capability while the latest in full-time autofocus takes the guess work out of tracking your subjects while in motion. Effortless moviemaking is at your fingertip thanks to D5100’s ergonomically placed Live View and Movie start button. Your D-Movies will come to life thanks to D5100’s sound recording capability — get stereo sound with Nikon’s optional ME-1 Stereo Microphone.

Exquisite detail in highlight and shadow

HDR (High Dynamic Range)
Exquisite detail in highlight and shadow

In scenes with extreme contrasts, such as bright, sunlit clouds and a foreground deep in shadow, it was once quite difficult to render the textures of both equally. Not any more. D5100 combines two exposures to create an image revealing an extremely wide dynamic range, but with less noise and richer color gradation than ever before.

Most Helpful Customer Reviews

 outstanding "prothusiast" D-SLR, solid upgrade from my D5000,

By Paul Christensen "gadget geek" (West Chester, PA United States) -

This review is from: Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens (Electronics)

As a long-time owner of the Nikon D5000, and former owner of the Nikon D60, I was eager to purchase the D5100 after seeing the announcements and pre-reviews. Being one of the lucky ones to buy the D5100 with 18-55VR kit earlier this week, I've had a few days to play with this camera and can honestly say it's a solid upgrade to the D5000 I'm replacing, and should be on the short list of consideration for any "prosumer" looking to purchase a D-SLR with outstanding image quality, performance, and low-light capability in a lightweight, compact (for an SLR) body. And, unlike the D5000, this D-SLR finally has a usable Live View and HD video capabilities both with continuous autofocus.
First of all, it's important to understand where the D5100 fits in Nikon's capabilities. It is considered a "high-end enthusiast" D-SLR which means that it shares the same image sensor as the high-end D7000 without some of the higher-end features. If you're like me, very few of the D7000's features justify its extra cost and weight. The D5100 offers nearly the same image quality as its bigger brother in a less-expensive, smaller package, while adding a few tricks the D7000 doesn't have including an articulating display that helps you frame hard-to-reach spots.
Compared to its lesser-priced but still excellent brother the D3100, the D5100 offers improved image quality, speed, and resolution, along with a higher-resolution articulating display. For me, this is the sweet spot in Nikon's consumer D-SLR offerings.
The 18-55VR (3x) f3.5-f5.6 kit lens provides surprisingly good performance and image quality, although you'll likely outgrow it quickly. I have uploaded a few sample images taken with the D5100 and 18-55VR to show its performance and surprisingly good bokeh (pattern of blurred background) in large-aperture and macro shots.
For lens upgrades that include an AF-S autofocus motor, if you don't mind changing lenses, the Nikon 55-200VR is an outstanding value with excellent image quality, or consider the Nikon 18-105VR (5.8x) lens included with the D7000. If you don't mind some distortion and image softness, the 18-200 VRII (18x) lens may be your perfect "walkabout" lens. For me, I bought the pricey but outstanding Nikon 16-85mm VRII. Don't forget the Nikon AF-S 35mm f1.8 (if you can find it).
Low-light performance is outstanding with this camera, and the level of detail captured by the D5100 is excellent, even at higher ISOs. You're best capturing in RAW or RAW+JPEG mode (three different JPEG compression levels are offered) if you need to go back and fine-tune exposure or other settings after the shot. Nikon also offers "Active D-Lighting" which is a highly effective method for improving dynamic range of a photo to equalize the difference between high and low-light areas of a photo.
Interestingly, the improvement in image quality compared to my D5000 isn't dramatic. Given the incredible improvement I saw when upgrading from my Nikon D60 to the D5000 perhaps I had unrealistic expectations for this new sensor. But in most image settings, even low light, the improvement is noticeable but subtle. That speaks more for the outstanding quality and low-light sensitivity of the D5000 sensor (which is shared with the D90) than it speaks against the D5100. With the D5100 you get higher resolution for improved cropping, and the 14-bit RAW images offer greater dynamic range for more flexibility after the shot is taken.
Speaking of RAW format, as with any new camera, there is a bit of a wait until updates are available for your favorite camera software. As of May 18th, Adobe, Apple, and Nikon have added support for the D5100 RAW files, so you can use Aperture, iPhoto, Nikon View NX2 (v2.1.1 and later), Nikon Capture NX2 (v2.2.7 and later), Lightroom 3 or Photoshop CS5 (via Adobe Camera RAW 6.4 or later). If you use other photo software or another platform, you may want to verify RAW support for the D5100.
Compared to my D5000, Nikon has gone back and addressed most of my concerns on ergonomics and performance:
- camera body is roughly 10% smaller and 10% lighter
- 16.2 megapixel CMOS DX-format image sensor (shared with D7000) captures 14-bit RAW images and offers +1fs greater low-light sensitivity
- ISO 100-6400 range with expansion to 25,600 ISO (D5000 minimum is 200 and expansion to 12,300)
- high resolution (920k pixel) display for greater detail in image previews (although I had to bump up the default brightness one notch for accuracy)
- side-mounted articulating display no longer interferes with tripod (the D5000 display is inconveniently hinged at the bottom)
- dramatically improved (now usable!) LiveView mode with continuous autofocus even in HD video mode (more on that later)
- full HD 1080p movie capture without the "jelly effect", in more standard H.264 mode up to 22 min (D5000 is AVI format 720p up to 5min)
- slightly better control position (LiveView is now a rocker switch on the mode dial, Video Record is just behind and to the left of the shutter release)
- significantly quieter shutter release (plus, a "Quiet Mode" is available although hardly necessary)
- faster performance (4 frames per second)
- SDXC compliant supports higher capacity cards
- remote control sensor on rear now in addition to front-mounted sensor
- improved battery life, and an improved battery release
- battery charger now has built-in collapsable plug instead of requiring separate power cord
- MUCH better eyecap design no longer comes off in my small Nikon camera bag; also an improved diopter (eyeglass) control
- additional in-camera editing capabilities, including ability to trim video
- new "gimmick" special effects: in-camera HDR, selective color, night vision, etc
Let's start with the display - moving the hinge to the side not only makes the articulating display usable with a tripod, it makes the camera body shorter, so that it matches the height of most popular Nikon DX-format lenses and no longer leans forward when set down on a table as the D5000 did. It makes a surprising improvement in shooting comfort also. Nikon has improved the rubberized grip of the body and the thumb rest in the rear, although some have said that the grip is a bit shallow for larger hands. For my average-sized hands it is very comfortable.
The improved control placement is mostly welcome as well. LiveView is now a spring-release rocker on the side of the Mode Dial (VERY handy) and the video record button is also now on the top of the body, in front of the mode dial and behind the shutter release. What I didn't care for is the placement of the rear camera buttons, which now all shift above and to the right of the display to accommodate the left-mount hinge. What I don't like is that the "i" button (used to display and change shooting info) is too far away from the 4-way mode switch, so changing default shooting settings is a bit more of a stretch on my thumb. On playback, the delete button is just to the right of the Zoom buttons, instead of being far away like it should be. I didn't find myself accidentally deleting photos, but I'd rather have had a button closer by that I use more frequently (like the Menu button?)
What has dramatically improved from the D5000 is LiveView performance and HD video capture. Neither are perfect, but compared to my D5000 both are quite usable in the D5100. In LiveView mode, the D5100 tracks faces and subjects quickly and accurately, although still nowhere near fast enough for sports events or that "quick shot" like you might be used to with a compact camera. On my D5100, LiveView autofocus typically took half a second in lower-light conditions, which is no match for the viewfinder, but a huge improvement from the D5000.
Video capture is another notable improvement in the D5100, capturing single videos up to 22 minutes of 1080p HD (if you have the SD card capacity), in H.264 format, with continuous autofocus. Gone is the "jelly effect" of the D5000 when you quickly panned horizontally and the video appeared to bend. In theory, the continuous autofocus sounds like a great improvement for video capture, but in practice I found it slow to react (especially in low-light situations). Too often I found the camera "searching" for the correct focus, even with the (optional) Nikon 35mm F1.8 AF-S lens. It was so distracting that I ended up disabling autofocus and learning how to manually adjust focus as I moved from subject to subject. Also disappointing is that like the D5000, the built-in microphone is monoral. For stereo sound, you must buy the (forthcoming) ME-1 external microphone. Overall, the video capabilities are promising, especially at 1080p, but I am more satisfied with the native 720pHD stereo video captured from my Canon S95.
Rounding out the list of improvements and new features of the D5100 are the new "special effects", including the first in-camera HDR mode for any Nikon D-SLR. In practice, while there may be edge cases for these effects, I am not particularly impressed with any of them, including HDR. First of all, you cannot capture RAW with any of the effects. For HDR, there are further limitations (can only be used in P-S-A-M modes, not auto, no flash, etc). When you can get HDR mode to work, it can only be enabled one shot at a time, and then you have to go back to the menus to turn it on. Luckily, you can assign HDR mode to the Fn menu button. HDR mode takes two quick shots for each shutter press and then combines them in-camera to create a single JPEG. You can specify the exposure difference (Auto, 1EV, 2EV, 3EV) and level of "smoothing" (Low, Normal, High) between the captured images. I took a number of high-contrast shots with HDR enabled and honestly

Nikon D7000 Sensor for $400 cheaper, By

B. Fuller (United States) -

This review is from: Nikon D5100 16.2MP CMOS Digital SLR Camera with 3-inch Vari-Angle LCD Monitor (Body Only) (Electronics)

This is a fantastic new offering from Nikon. You get most of the best parts of the D7000 for 1/3 cheaper. If you are looking for a starter camera or a back up body to the D7000 this is it.
Here are the major differences between the D5100 and D7000.
D5100
Exact same sensor and processing abilities as the D7000. Some of the best Image Quality available in any DSLR. ISO 3200 is very usable with low noise.
- Swivel screen while the D7000 is fixed -- Since the contrast autofocus (ie Live View) is not very good on either of these cameras this is not really a player unless you are using a tripod. Then the swivel screen is very useful.
- 4 fps vs 6 fps for D7000 - No big deal 4 fps is plenty fast to fill your card with similar looking pictures. Also, in RAW D7000 buffers out pretty fast and then slows down anyway.
- 11 focus points vs 39 for D7000 - Most of the time not really a big deal. Sometimes all those extra points get in the way and slow you down.
No internal auto focus motor while the D7000 has one -- If you don't have any D series or older lenses this is not an issue. If you do, they will not autofocus on this camera.
- Only one SD slot vs 2 for the D7000 -- A big difference when getting paid to shoot. Otherwise, always format your cards in your camera and not on the computer. Doing that I have never had a failure. (Jinxed myself now)
Not weather sealed vs D7000 partially weather sealed - Don't drop either one in the water and keep both out of dust.
- Has less external switches than the D7000 - This means you need to go to the menus more often which slows things down. This can be severely annoying or not depending on your shooting style. The D7000 handles better but this is not a deal breaker on the D5100.
Built in flash is not a commander for Nikon Creative Light System while D7000 is -- If you don't use off camera flash or you use radio triggers this is not a big deal.
1.2 lbs vs 1.7 lbs for D7000.
Overall the D5100 is a great camera. The D7000 have some extra features that make it worth the extra money but if you don't need them you get all the fantastic D7000 IQ for 2/3rd the price.

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