Showing posts with label 18-200mm. Show all posts
Showing posts with label 18-200mm. Show all posts

Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras

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Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras

by Tamron

3.8 out of 5 stars See all reviews (135 customer reviews) | Like (22)


List Price:$644.95

Technical Details

Style: Canon

  • Since the lens is designed exclusively for digital SLR photography, it provides high image quality in terms of resolution
  • It employs a new optical system designed to confine the changing angles of incidences of light rays reaching the imager over the entire image field.
  • Peripheral light fall-off is minimized when compared with that of conventional lenses
  • Complicated mechanisms are built in the compact body thanks to new mechanical artifices. The lens is a multi-purpose zoom lens,excellent portability
  • The Zoom Lock prevents unwanted barrel extension when carrying the lens/camera combination

› See more technical details

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Product Details

Data Sheet [921kb PDF]

  • Product Dimensions: 5.3 x 4.1 x 4.1 inches ; 14.1 ounces
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B0007WK8MQ

 

Product Description

Style: Canon

From the Manufacturer

Tamron's original development of proprietary core technologies such as Aspherical element production, Multiple Cam Mechanism and Integrated Focus Cam design lend to the creation of the world's lightest, most compact 11x zoom lens made for digital SLR cameras.

AF18-200mm F/3.5-6.3 XR Di II

Zoom in for a macro shot

AF18-200mm F/3.5-6.3 XR Di II Highlights
Di II
Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.
Extra Refractive Index Glass (XR)

Tamron AF18-200mm F/3.5-6.3 XR Di II at Amazon.com

Special glass for better performance and more compact lens designs

Extra Refractive Index (XR) glass can bend light rays at steeper angles, thereby decreasing the physical length of the lens while enhancing imaging performance by minimizing optical aberrations. This has allowed Tamron to develop a line of shorter, smaller-diameter, lighter lenses without sacrificing lens speed, and actually upgrading image quality compared to older designs. XR glass is costlier than conventional glass but it yields enhanced optical power distribution, making possible many of the outstanding and innovative lens designs that bear the XR designation. XR glass, with its superior light-bending power, makes it possible to design a short-barrel lens with the same light-gathering ability (aperture value) as a long-barrel lens—even with a smaller lens diameter. By using this principle Tamron has been able to shorten the length of the entire optical system and produce lighter, more compact lenses of the same speed, and also to provide greater zoom ranges in lenses that are much more convenient to carry by hand.
Low Dispersion (LD)
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

Tamron AF18-200mm F/3.5-6.3 XR Di II Low Disperson example at Amazon.com

Low Dispersion (LD) Glass for Greater Lens Sharpness

Internal Focus (IF)
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.
Zoom Lock
Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap.

Product Description

Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras

Most Helpful Customer Reviews

256 of 260 people found the following review helpful:

4.0 out of 5 stars Good value - useful all-in-one lens, August 9, 2005

By

A. C. Sisto "Educated Amateur" (Orange County, CA) - See all my reviews
(REAL NAME)

This review is from: Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras (Electronics)

Like a baseball player with a decent batting average, some power, a little bit of speed and fairly good fielding ability, the Tamron 18-200 lens won't be an All-Star any time soon because it does not excel at any one thing. But, like that $500k/year utility infielder, this lens DOES provide a very good all-around value for what it is. Does it compare to a prime lens at either end? Heck, no. Is it a good lens to use when you can't carry a wide choice of lenses with you? Absolutely.
I've been using this lens on my 20D quite a bit and have only a few minor gripes: it tends to hunt for AF (especially as you get closer to 200mm), and it's not the quietest lens I've used.
An earlier reviewer mentioned that it maxed out at about 160mm. My own analysis shows that it is short of 200mm, but not by that large an extent; I found it much closer to 190. Still, there's no doubt that these zoom lenses with extreme ranges like this have a built-in fudge factor.
Another reviewer described the problems he encountered when using two screw-on filters. There aren't too many primes that I've used that will avoid vignetting when using two filters. Heck, my 10-22 can barely handle one extra-slim. As for darkening the image - well, you're adding two more pieces of glass to a highly-complex lens assembly... just asking for trouble.
As for the concern regarding blur at longer focal lengths, I highly recommend the use of a tripod. I noticed the exact same thing - blur and lack of sharpness - at lengths over 100mm. Keep the old rule of thumb in mind - if you're shooting handheld, your shutter speed should be no slower than the inverse of your focal length. A 200mm lens on a 20D (or Rebel XT for that matter), is an effective 320mm - I wouldn't recommend shooting any slower than 1/500 at max zoom with this lens - UNLESS you're using a tripod. When I mounted it firmly, I got great shots with no blur.
Keep in mind that you get what you pay for here: the convenience of a wide-angle, normal, and moderate telephoto lens in one piece. If you're shooting professionally, or need absolutely perfect images, then carry the three or four lenses that this would otherwise replace in your bag. But if you want one easy-to-use, satisfactory lens, go for this one. It's a jack-of-all-trades, ace-of-none kinda deal.

Never ceases to amaze, June 27, 2006

By

mcenut (Tooele, UT) - See all my reviews

This review is from: Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras (Electronics)

I have owned this lens for over a year now and it never ceases to amaze me when I see the photos it produces. Over this last year I have come to learn a thing or two about how to use this lens.
1) If you are going to shoot indoors, or in low light, with a long focal length (like 200mm) use a tripod or plenty of ambient light. This lens doesn't have a built in image stabilizer so you are going to steady the lens with the tripod or use a real fast shutter speed to minimize your hand jitter.
2) Use a smaller aperture. I have found that my best photos come from an aperture of 8.0 thru 16. These apertures aren't great for bokeh (background blur) but they sure do allow you to take razor sharp pictures.
Praise.
Focal range. With one lens you are able to take nice wide-angle shots (18mm) and with the twist of zoom ring you have a nice telephoto lens (200mm) Definitely a good walk around lens for the day at the botanical gardens, museum or amusement park.
Build quality. This lens gives you a nice solid feel in your hands. Give it a shake and it doesn't make a sound. The zoom and focus rings move smoothly without being sloppy. With a lens this well built you would expect it to be heavy. Not so with this lens, it's quite light (which is something you really appreciate after a long day of carrying it around.)
Minimal chromatic aberrations. The lens' three hybrid aspherical elements and two low dispersion glass elements correct for almost all lateral and on-axis aberrations making most of your images optically clear.
Size. At it's lowest focal length (18mm) the lens is small enough to fit into a mid size top loading camera bag while still attached to the camera body.
Complaint?
Well yes, I do have one minor complaint about the lens. Auto focus is slow. How slow? Well let's just say you won't want to try and photograph a two year old on the move. I have found that I can keep fast moving objects in better focus by switching to manual.

Great all use lens, April 20, 2005

By

S. Mingus (Los Angeles, CA) - See all my reviews
(REAL NAME)

This review is from: Tamron AF 18-200mm f/3.5-6.3 XR Di II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras (Electronics)

I recently purchased this lens for use on my Canon 20D. I was never happy with the lens that came with the camera. I've been very happy with this lens.
Pros:
- Quality construction. The lens doesn't feel cheap.
- Zoom range of this lens is fantastic.
- Image quality is great.
- Internal focusing makes using filters and hoods a piece of cake
- Zoom lock is nice so the zoom ring doesn't turn while stored or carried.
- Price. For the money this lens will give you a lot of bang for the buck.
Con:
- Auto focusing is a bit slow for a moving subject.

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

71VSKpiR8EL._AA1500_

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

by Nikon

List Price:$849.95

Price:See price in cart(Why don't we show the price?)

This item ships for FREE with Super Saver Shipping.Details

Technical Details

  • One-lens solution adept in a wide variety of situations
  • Nikon VR II (Vibration Reduction) image stabilization
  • Two Extra-low Dispersion (ED) elements; three aspherical lens elements
  • Exclusive Nikon Silent Wave Motor (SWM)
  • Focus to 20 inches for extended versatility
  • Nikon Super Integrated Coating (SIC)

Product Description

From the Manufacturer

The Nikon 18-200mm VR II lens is remarkable one-lens solution--adept in a wide variety of situations. It delivers 11x zoom versatility, for a picture angle equivalent of a 27-300mm lens in 35mm format.

Nikon VR II (Vibration Reduction) image stabilization
Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.
Two Extra-low Dispersion (ED) elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at wide aperture settings.
Three aspherical lens elements
Virtually eliminates coma and other aberrations, even at wide apertures.
Zoom lock switch
Secures lens barrel at its minimum length.
Nikon Super Integrated Coating (SIC)
Enhances light transmission and offers superior color consistency and reduced flare.

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18-200mm Lens Construction

18-200mm Wide MTF Chart18-200mm Telephoto MTF Chart
Exclusive Nikon Silent Wave Motor (SWM)
For fast, accurate and quiet autofocus.
Rounded 7-blade diaphragm
Renders more natural appearance of out-of-focus image elements.
Focus to 20 inches
Extends versatility.
M/A focus mode switch
Enables quick response to changing situations between manual and autofocus operation.
Flower-shaped lens hood
Included HB-35 lens hood shades the objective from unwanted, image-degrading light.

Product Description

New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II for use expressly with Nikon DX-format digital-SLR cameras. A number of unique Nikon technologies have been developed for, and applied to, including a high zoom magnification of 11.1x, a Vibration Reduction (VR II) image stabilization system that provides camera shake compensation equivalent to increases in shutter speed by four stops, and a Silent Wave Motor (SWM), as well as a zoom lock switch. Designed expressly for use with Nikon digital-SLR cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II covers an extremely wide range of focal lengths (18-200mm, equivalent to 27-300mm in 35mm format; a zoom magnification of 11.1x), it offers excellent versatility for various scenes that include portraits and landscapes. The addition of a zoom lock switch allows photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. This lens offers superior optical performance in a compact size of just 77 x 96.5 mm, despite a high zoom magnification of 11.1x. Nikon's Silent Wave Motor (SWM) assures fast and quiet autofocusing. The Vibration Reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps. Two Vibration Reduction modes are available. NORMAL VR mode:

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

71dAI8JvOTL._AA1500_ Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

by Nikon

List Price:$849.95

Price:See price in cart(Why don't we show the price?)

 

Technical Details

  • One-lens solution adept in a wide variety of situations
  • Nikon VR II (Vibration Reduction) image stabilization
  • Two Extra-low Dispersion (ED) elements; three aspherical lens elements
  • Exclusive Nikon Silent Wave Motor (SWM)
  • Focus to 20 inches for extended versatility
  • Nikon Super Integrated Coating (SIC)

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Product Description

From the Manufacturer

The Nikon 18-200mm VR II lens is remarkable one-lens solution--adept in a wide variety of situations. It delivers 11x zoom versatility, for a picture angle equivalent of a 27-300mm lens in 35mm format.

Nikon VR II (Vibration Reduction) image stabilization
Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.
Two Extra-low Dispersion (ED) elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at wide aperture settings.
Three aspherical lens elements
Virtually eliminates coma and other aberrations, even at wide apertures.
Zoom lock switch
Secures lens barrel at its minimum length.
Nikon Super Integrated Coating (SIC)
Enhances light transmission and offers superior color consistency and reduced flare.
18-200mm Lens Construction

18-200mm Wide MTF Chart18-200mm Telephoto MTF Chart
Exclusive Nikon Silent Wave Motor (SWM)
For fast, accurate and quiet autofocus.
Rounded 7-blade diaphragm
Renders more natural appearance of out-of-focus image elements.
Focus to 20 inches
Extends versatility.
M/A focus mode switch
Enables quick response to changing situations between manual and autofocus operation.
Flower-shaped lens hood
Included HB-35 lens hood shades the objective from unwanted, image-degrading light.

Product Description

New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II for use expressly with Nikon DX-format digital-SLR cameras. A number of unique Nikon technologies have been developed for, and applied to, including a high zoom magnification of 11.1x, a Vibration Reduction (VR II) image stabilization system that provides camera shake compensation equivalent to increases in shutter speed by four stops, and a Silent Wave Motor (SWM), as well as a zoom lock switch. Designed expressly for use with Nikon digital-SLR cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II covers an extremely wide range of focal lengths (18-200mm, equivalent to 27-300mm in 35mm format; a zoom magnification of 11.1x), it offers excellent versatility for various scenes that include portraits and landscapes. The addition of a zoom lock switch allows photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. This lens offers superior optical performance in a compact size of just 77 x 96.5 mm, despite a high zoom magnification of 11.1x. Nikon's Silent Wave Motor (SWM) assures fast and quiet autofocusing. The Vibration Reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps. Two Vibration Reduction modes are available. NORMAL VR mode:

Most Helpful Customer Reviews

690 of 694 people found the following review helpful:

4.0 out of 5 stars A very good lens at a reasonable price, October 7, 2009

By

Maxwell Johnson "Cook, musician and teacher" (Orlando,, FL, USA) - See all my reviews
(VINE VOICE) (TOP 1000 REVIEWER)

Amazon Verified Purchase(What's this?)

This review is from: Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras (Electronics)

I believe it was Thom Hogan who described this lens as not perfect but really good at everything. That's the review in a nutshell.
This is what I would term a prosumer lens. It certainly is not cheap yet it does not have the build quality of Nikon's top-of-the-line. The barrel, for example, is plastic rather than metal. I fear that a drop would be catastrophic and even a hard bang on the edge of a table might do serious damage if the lens was fully extended. On the other hand, this lens is a lot less expensive than those in the Nikon pro line. In addition, the lens is much lighter and easier to carry than it would be were it made entirely of metal.
It is my understanding that the only meaningful difference between this lens (the VR II) and its immediate predecessor is the addition of a cam lock to prevent lens creep. My own sample doesn't creep at all, even with the cam unlocked but apparently that has been a significant irritant for a number of buyers.
The use of "VR II" in the name is potentially misleading because it may lead shoppers to believe that the VR system has been improved over the original model. This is not the case. Both the original 18-200 and the new version contain Nikon's second generation VR system. Some have suggested that Nikon's marketing is a bit shady on this point while others counter that the "II" simply designates a new model.
Sharpness is less than absolute across the entire range but more than adequate for anything that an amateur, or even most professionals, is likely to need. There is mild to moderate distortion, more marked at the focal length extremes but scarcely visible in the vast majority of images and readily correctable in Photoshop, DxO, or other post-processing software. Contrast is crisp and I find the lens surprisingly free of flaring and ghosting.
No one should buy this lens thinking that it will make him/her a better photographer. Good photography is in the mind and the eye, not in camera. What the 18-200 will do, though, is provide a one-lens solution to the great majority of focal length needs, minimizing the need to tote a hefty bag full of lenses. It happens that, as a long time Nikon user, I have such a bag. Despite all the choices at my disposal, my 18-200 probably stays on my camera 85-90% of the time.
Folks who are obsessed with numbers, charts, and MTF curves will probably fret over the 18-200, taking delight in pointing out every little defect. For the rest of us, the only significant downside that I see is that the lens is not ideally suited for extended service in rough environments or adverse weather situations. Since most of us seldom shoot in such circumstances, this should not be much of a problem.
I heartily recommend the Nikon 18-200mm f/3.5-5.6 G AF-S ED VR II (whew! what a mouthful) to any advanced amateur or professional seeking a highly usable wide range zoom.

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

71584Nr3g2L._AA1500_ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

by Nikon

List Price:$1,499.95

Price:See price in cart(Why don't we show the price?)

 

Technical Details

Style: With 18-105mm Lens

  • High Resolution 16.2 MP DX-format CMOS sensor
  • High Speed 6 frames per second continuous shooting up to 100 shots
  • Breathtaking Full 1080p HD Movies with Full Time Autofocus
  • Dynamic ISO range from 100 to 6400
  • Ground-breaking 2,016-pixel RGB (3D Color Matrix) exposure sensor

 

Nikon D7000 Digital SLR: Hands-on preview by dpreview.com

Read the full Nikon D7000 Digital SLR preview at dpreview.com

Nikon has released the D7000 mid-level digital SLR. Housed in a magnesium alloy body, the feature-rich camera incorporates a 16.2Mp CMOS sensor, faster 'Expeed 2'-branded processor, 921k dot 3.0" LCD and can record 1080p full HD movies. It features the company's latest 39-point AF system with 3D tracking and 2,016 pixel RGB metering sensor. It will start shipping with the 18-105mm VR kit lens from October 2010 at a retail price of $1499.95. We've had a pre-production D7000 in the office for long enough for us to prepare an full hands-on preview looking at the camera, its features and where it'll sit in the range.

Product Description

Style: With 18-105mm Lens

From the Manufacturer

Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16-megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera’s 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx.  0.052-second release time lag and approx. 6 frames-per-second shooting, you won’t miss a moment.
You’ll see exactly what you’re capturing with the approx. 100% frame coverage viewfinder, and for those who want to shoot both stills and movies, the D7000’s D-Movie capabilities now include Full HD 1080p capture with full-time autofocus and manual exposure. All of this advanced imaging technology is kept safe beneath the magnesium alloy covering the top and rear chassis of a compact body, whose sealing has been severely tested against moisture and dust. The D7000 is ready to shoot indoors and out, and at 150,000 cycles tested, the camera’s durable shutter unit helps you keep shooting. Combine all this with the unmatched NIKKOR lens lineup and Creative Lighting System and you have everything you need to explore your imagination to its fullest. Where can creative freedom like this take you? Find out, with the D7000.

Improved quality in highlight and shadow: Active D-Lighting
Nikon’s exclusive Active D-Lighting offers the ability to preserve details in the highlights and shadowy areas of images shot in high-contrast scenes.
Improved image quality
Whether you’re dealing with bright skies and a dark foreground or deep shadows where you can’t use a flash, the EXPEED 2 image processing engine renders those scenes with smoother tones — even at its highest settings. Simply select Auto in Active D-Lighting mode and the camera can adjust to the scene’s contrast levels or bracket them into three frames of varying strength levels. Even when Active D-Lighting is activated, you can still maintain the continuous shooting rate.
Now even more precise: The Scene Recognition System
The D7000 incorporates a built-in exposure-metering sensor with a far larger pixel count than any other D-SLR camera before it. The 2,016-pixel RGB sensor reads the scene’s brightness and colors more accurately, and then applies this reading to optimize not only exposure, but also autofocus, white balance and i-TTL flash calculations — all in mere milliseconds prior to the actual exposure. With more pixels, the D7000 can recognize even smaller subjects — both moving and stationary. The newly improved Scene Recognition System delivers better photographs in every way.
Wide-area coverage, powerful 39-point AF
The D7000’s strategically positioned 39 AF points cover a significantly wide area of the frame, giving you flexible compositional possibilities. The nine AF points in the center utilize powerful cross-type sensors — especially useful when you need tack-sharp focus such as with portraits and macro work. And unlike other manufacturers’ systems, the D7000’s nine cross-type sensors work with all AF NIKKOR lenses f/5.6 or faster. The D7000 offers a variety of AF area modes, including dynamic-area AF using 9, 21, 39 points. Switch between the three, depending on the predictability of your subjects’ movement, and the selected AF point and surrounding points will track your intended subject automatically.
There is also 3D tracking, which continuously follows moving subjects within the 39 AF points, indicating the activated AF point in the viewfinder. Utilizing Nikon’s Scene Recognition System, Auto-area AF properly judges the main subject within 39 AF points and focuses on it. Therefore, no matter what the situation or composition calls for, the D7000’s autofocus system will be ready to meet your focus needs.
39-point AF & 2,016-pixel RGB sensor
Stay focused on what matters most.
Sophisticated AE with highlight analysis
After the incredibly accurate 2016-pixel RGB sensor reads a scene’s lighting information such as brightness and colors, the D7000 cross-references what it sees with imaging data from 30,000 real-world shooting situations. This way, the renowned 3D Color Matrix Metering II delivers exposure results that are faithful to how you see light and shadow interplay, even in difficult lighting situations. This intelligent metering technique also delivers exceptionally accurate i-TTL flash exposures, and it all happens within milliseconds for both speed and precision.
Informed auto white balance (AWB)
Based on its massive collection of shooting data compiled from various light sources, the D7000’s intelligent AWB algorithm renders white as truly white — even when shot under a wide range of light sources, including the difficult mercury vapor lighting. The D7000 also carries another AWB mode that maintains incandescent warmth in your images.
Contrast AF for live view and D-Movie
Live View and D-Movie users can rejoice, because with the D7000, face-priority AF is now faster and more powerful than ever. Up to 35 people can be. For moving subjects such as pets, subject-tracking AF keeps them in focus. Normal-area AF is recommended for pinpoint focus and wide-area AF for handheld shooting. All are effective both for Live View shooting and movie recording.
6 Frames Per Second Shooting up to 100 Images
More responsive power mechanism
Say farewell to missed opportunities. The D7000 incorporates a new driving mechanism to conduct its remarkably fast and precise mirror movements, giving you an approx. 0.052 second release time lag and an approx. 0.13 second start-up time. What’s more, you can continuously shoot at approx. 6 frames per second at both 14-bit and 12-bit A/D conversion for RAW shooting.

Magnesium Alloy Body
Rugged and protected: compact magnesium alloy body and sealing against dust and moisture
With a top and rear cover of durable magnesium alloy, the D7000 is ready for the outdoors. Nikon engineers paid meticulous attention to where exterior parts join by employing durable sealing against moisture and dust. The compact body has also undergone severe environmental tests to prove its rugged reliability.

100% frame coverage
Approx. 100% frame coverage viewfinder
With approximately 100% frame coverage in the viewfinder, what you see is what you exactly capture. The specially coated glass pentagonal prism and precision-crafted finder screen offer not only a bright viewfinder image, but also enable you to easily confirm when a subject is in focus.

Precision and durability
Precision and durability: 150,000 cycles tested shutter unit
The D7000 has a shutter speed range of 1/8000 to 30 seconds, with a top flash synchronization speed of 1/250 second. And just like with professional models, the shutter unit is tested for 150,000 cycles in severe conditions, proving precision and durability.

Intuitive operation
Intuitive operation: strategically located dials, buttons and switches
Each and every control on the D7000 has been strategically placed for streamlined operation. The exposure mode dial and release mode dial are stacked on the same axis for easier access. Two new user settings can be assigned to the exposure mode dial. The release mode dial now offers a quiet shutter release mode for near-silent operation and one-touch Live View and movie recording are now possible, thanks to a newly designed switch and button structure.

921k-dots, 170-degree viewing angle, 3-inch LCD monitor
The D7000 features an expansive 3-inch VGA LCD monitor with reinforced glass. Its approx. 921k-dot resolution assures clear, detailed display of images, which proves invaluable when confirming focus or assessing image sharpness. The wide 170° viewing angle and bright display make it easy to review images or confirm menu settings when shooting outdoors.
Electronic Virtual Horizon
Especially useful for landscape shooting, the virtual horizon indicated in the LCD lets you know when the camera is level. The virtual horizon can also be displayed during Live View shooting.
Twin SD card slots (cards not included)
Two memory card slots offer a number of advantages: sequential recording; recording the same images simultaneously on two cards; recording RAW and JPEG separately onto two different cards; and duplicating images from one card to another. It’s also possible to designate a specific card with more memory for use at the time of movie recording.
Cardslot

Intelligent power management
After carefully scrutinizing every aspect of the camera’s circuitry, Nikon engineers have designed the D7000 for maximum performance with minimized power usage. With the newly designed Rechargeable Li-ion Battery EN-EL15, 1,050 frames* can be taken on a single charge.
*With EN-EL15, based on CIPA standards.

Creative Lighting System
Nikon Creative Lighting System
The D7000 has a built-in pop-up flash that covers a 16mm lens perspective without vignetting. The flash is fully compatible with the Nikon Creative Lighting System (CLS) and delivers well-balanced flash exposures thanks to the innovative i-TTL flash control. The built-in flash also offers Commander mode to trigger remote flash units when using Advanced Wireless Lighting. The dual advantages for i-TTL technology and wireless capability make sophisticated remote flash control simple and inspiring. One simple remote flash from the side using the SB-900, SB-700 or SB-600 creates more texture, dimension and mood in ways that available light cannot. For more sophisticated creative effects, the small and intelligent SB-700 has been designed to make the control of remote multiple flashes even easier.

Picture Control: Portrait
You can transform the look of an image simply by selecting from the camera’s Picture Control menu. Choose from the following settings: Standard, Neutral, Vivid, Monochrome, Landscape, and Portrait. You can even adjust parameters such as sharpness and saturation and then save them as Custom Picture Controls.
Optional Multi-Power Battery Pack MB-D11
The dedicated battery pack MB-D11 ensures longer battery power. You can expect more than 2,010 shots*. The MB-D11 is equipped with a shutter release button, command dials and a multi-selector useful for vertical composition shooting. It also provides better camera balance when a long telephoto lens is used.
*With two EN-EL15 (one in camera and one in MB-D11), based on CIPA standards
ViewNX 2 — Your imaging toolbox
Browse and organize images easily and efficiently with ViewNX 2. This bundled, all-in-one software helps you view, edit, store, and share both photos and movies. Attach labels to your images for simpler searching and browsing, or choose from an array of editing functions such as resize, crop, rotate, straighten and auto red-eye correction. You can even delete scenes from movies taken with your D7000. ViewNX 2 also works effortlessly with Nikon’s photo-sharing website, my Picturetown, making uploading and viewing your images more enjoyable than ever.

Product Description

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Great Camera -- A perspective from a D300/700 Owner,October 24, 2010

By

B. Fuller (United States) - See all my reviews
(TOP 500 REVIEWER) (REAL NAME)

This review is from: Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens (Electronics)

This is very simple, if you are a Nikon shooter looking for a new camera then stop reading and buy this camera. It's that good.
Handling
This camera is brilliant to hold and use. Nikon has done it again and has made the user interface more usable and streamlined. What to change flash modes. Press the flash pop-up button and rotate the control wheel. Sweet. Want to change create and use a User defined mode? There are two. Set your mode up. Go to the menu and save it. To use it rotate the shooting mode dial to U1 or U2. Presto you are there. In the D300 and D700 you to have to setup things in the menu and switch in the menu. Also, there were 2 sets of things you could change and they were not all inclusive. It was all horribly confusing and I never used it. Speaking of shooting modes. There is now one position on the shooting mode dial for scene mode shooting. You change through the different scene modes with the control wheel and the type scene shows up on the back screen. Sweet. I can go on and on but needless to say Nikon have really improved their interface. One caveat, I don't think it is quite up to par with the GH1 to change exposure compensation (IMO the most important control) but still a huge step in the correct direction in handling. I like the handling of the D7000 better than either the D700/300.
Low Light Shooting
The D300 wasn't that great for Hi ISO. It shoots clean at 400 ISO and usable up to 1600. (The D90 and D300s were better) The D700 was fantastic. Clean at 1600 ISO and usable up to 6400. It opened up new worlds. The D7000 is close to the equal of the D700. Enough said. Just to give you an example. The bouquet toss at a reception is often done in poor light. By using 1600 instead of 400 you get the equivalent of 4 times more light. At ISO400 you flash may need to use 1/4 power and you can get 1 maybe 2 shots of the toss and catch before the flash needs to recharge. At ISO1600 your flash would only need to use 1/16th power and now you can get 5-6 shots. This is huge.
Picture Quality
Like all modern DSLRs it takes great pictures. I don't pixel peep so I can't really say that I notice a difference between the pictures from the D7000 and any of my 12mp cameras. It makes really nice pictures and that is all I care about.
Useful Photography Features (Not Marketing Features)
--100% view finder! Big bright with 100% coverage. No more guessing of your framing. (It is not as bright as the D700. However, it is 100% vice 95%)
--2 SD slots - When your getting paid to shoot a wedding or any gig, my card broke is not an excuse. Very useful feature. For the home user put two smaller cards rather than one big card and save some money.
--Smaller and lighter than D300, D700, D3s, D3x- When you stand on your feet for 9 hours shooting the wedding and reception, you start to feel every ounce you are carrying. Often you will be carrying two bodies with a fast tele zoom and fast wide zoom. That starts to get heavy. Light weight here we come.
--2016-Segment RGB Meter- for spot on exposure and white balance--No one touches Nikon on this and this one is fantastic.
--1/8000th -- Very useful for shooting into the sun wide open with a bright lens
--1/250 -- Could be better (1/500th for D40) but could be much worse. Auto FP helps.
--Magnesium body and better sealing -- Shoot in dusty environments without messing up the inside your camera.
--Uses the ML-L3 infra red remote -- Small and cheap. IR sensor on the front and back of the camera.
--Autofocus focus motor for non-AF-S lenses
Marketing Features that will sometimes be Useful
--16Mp -- Nikon was obviously getting creamed in the marketing wars on this. This is going to lead to bigger files requiring larger hard drives and faster computers. Occasionally it will be useful if you can't frame as close as you would like and you need to crop or you need to print big. Alien Skin Blow Up 2, Image Resizing Plug-in Software for Photoshop, Macintosh & Windows and Genuine Fractals 6 Professional Edition 1-user Full are two very nice programs that can increase the size of your photos for printing large. 16 MP is nice by not necessary.
--39 Point Auto Focus -- To me in some ways this is better than the 51 point of the D300 and D700 as that gets too unwieldy. However, you really don't even need 39. However, still useful on occasion.
--6 frames per second-- I very rarely ever put my camera in 3 frames per second. When I do so it fills the card quickly. If you are shooting the big game then 6 is nice. Or it is nice for some cool special effects shots. Other than that you won't really find yourself using it that much.
Video
The other thing I am not really going to dwell on is the video capabilities. In my opinion all the various video options are mostly marketing hype really targeted at a niche market. Shallow depth of field video is difficult and time consuming to shoot and edit properly. The average family home user has neither the time nor inclination to do this. With that said, it is nice to only have to carry one device to take still pictures and video. So I do enjoy that feature, however 1080 is not really necessary. In fact with up converting DVD players standard def is still very usable and takes up far less space. Suffice it to say that the video capabilities are very good and should do anything a home user would need it to do. Can be used for pro Videos as demonstrated by Chase Jarvis.
Intangibles
This is a very nice camera and it feels very solid in your hands. It feels far more substantial than the D40/D90 without feeling like a brick the way the D300/D700 do. I am sure the D300 has more marketing features than the D7000 but I would have to research them to figure out what they are. As for the lens, I am not really that hot on this lens. It will do fine but the Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras is far more useful. Also, you can buy the Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens and Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Zoom Nikkor Lens for about the same price as the difference between this and the body only.
Conclusion
In the end it all comes down to what is important to you. Smaller weight and size is becoming much more important to me and this camera is a very good trade off of features for size and weight. Anything that is missing I don't even use so I am not sure what it may be. My D700 was recently stolen and while I miss it, the D7000 is a worthy replacement for it. I opted to get the D7000 and Panasonic GH2 and save the $300 difference for a lens.
Pros
--100% view finder!
--6 fps (7D is 8. However, I think this number is overhyped in most cases. Even shooting at 3 FPS will fill up you card with photos that look remarkably similar) 8+ is needed for professionals shooting professional sports. Not enthusiast shooting High School etc.
--16mp sensor (a marketing increase but still nice to allow some room for cropping)
--14 bit photos
--39 point auto focus sensors (19 cross point) this is a bit of a marketing thing but it is still nice and it does not matter about the 51 on D300s and above. Still very nice.
--2016 scene meter - compares against data base for WB setting and color settings
--Excellent battery life
--MD-11 Optional Battery Grip
--2 SD card slots for back up redundancy or double the card space! Outstanding
--Magnesium used to make camera stronger
Cons
--16mp senor (takes up more storage on your hard drive) (12mp JPG 3mb 12 mp RAW = 12 mb 16mp JPEG = 5 mb 16 mp RAW = 16 mb. This is for 12 bit. 14 bit would require more)
--Camera heavier than it used to be
--No swivel screen - after using the GH1 extensively you really miss this when shooting at weird angles. You especially miss it for macro photography.
--No full time live view - Ditto from above. Live view is what you see is what you get. Forgot to change white balance-- you will see that when people are yellow, blue or green. Have it set in manual and blowing everything out-- you'll see that as a white screen.
Decision Matrix
Nikon
For the Nikon shooter this is a no brainer. If you are in the market for a camera, then skip the D300s. The D700 is getting long in the tooth and many people are buying the D7000 while waiting for D800. If you already own a D700 then this camera is a very good complement to it. Use the money you saved over the more expensive camera to buy a nice lens.
Here is a breakdown vs other Nikon DSLRs
D3100-- Two completely different classes with the D7000 being worth the difference in many. However at the end of the day they will both make nice pictures. Also, the lenses are more important than the camera. You can get the D3100 and 18-200mm for the same price. Something to think about.
D5000-- Good sensor and nice camera. D3100 comments also apply here.
D90--Tough choice. The best DX sensor of its generation and still better than most. If you can't quite stretch to the D7000, this is a very tempting proposition.
D300S-- Irrelevant. The D7000 has a much better sensor, is smaller, lighter, cheaper, and better metering.
Nikon D700-- Would be a good complement to the D7000. Use D7000 when you need the 1.5x crop on the long end and a deeper depth of field due to... Read more ›

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