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Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras

by Canon

4.8 out of 5 stars See all reviews (237 customer reviews) | Like(62)

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List Price:$1,200.00

Price:$649.99 & this item ships for FREE with Super Saver Shipping. Details

Technical Details

• 70-200mm telephoto zoom lens with f/4 maximum aperture for Canon SLR cameras
• Inner focusing system and ring-type ultra-sonic monitor for quick and quiet autofocusing
• Compatible with same tripod collar (sold separately) as EF 300mm f/4L USM lens
• 3.9-foot close-focusing distance; supports use of circular polarizing filter
• Measures 3 inches in diameter and 6.8 inches long; weighs 25 ounces; 1-year warranty

› See more technical details

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Product Details

• Product Dimensions: 9.9 x 5.4 x 5.4 inches ; 14.1 ounces
• Shipping Weight: 3 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
• ASIN: B000053HH5
• Item model number: 2578A003

 

Product Description

Amazon.com Product Description

Capture the far-off action of fast-paced sports or zoom in for an intimate portrait with the Canon EF 70-200mm telephoto zoom lens. This high-performance, L-series telephoto zoom lens is distinguished by such features as an f/4 maximum aperture, an inner focusing system, and a ring-type ultra-sonic monitor (USM). The last two features combine to deliver quick and quiet autofocusing--a priority for many amateur and professional photographers. In addition, photographers can attach and use a circular polarizing filter without difficulty because the front lens element does not rotate during focusing. Compatible with the same tripod collar (sold separately) used with the EF 300mm f/4L USM lens, the lens carries a one-year warranty.

• Focal length: 70-200mm
• Maximum aperture: 1:4.0
• Lens construction: 16 elements in 13 groups
• Diagonal angle of view: 34 to 12 degrees
• Focus adjustment: Inner focusing system with USM
• Closest focusing distance: 3.9 feet
• Zoom system: Rotating type
• Filter size: 67mm
• Dimensions: 3.0 inches in diameter, 6.8 inches long
• Weight: 25 ounces

Product Description

Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras

Most Helpful Customer Reviews

Perfect on-the-go lens, July 22, 2005

By Michael C. M. Chow "Arenadi" (Honolulu, HI USA) -

This review is from: Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

I have to say, "Wow I love this lens."
I'd recommend this lens for three kinds of people:
1) People who want to get a taste of the L-series lenses who need a lens in the 70-200mm focal length relatively inexpensively;
2) People who already own the 70-200mm f/2.8L IS lens who have to lug that huge thing around for a long time;
3) People who want a L-series 70-200mm lens who don't NEED f/2.8 or IS.
Call me a wimp, but shooting 1000-2000 shots a day in the field with the 70-200mm f/2.8 IS gets tiring, especially if you're hand-holding. This lens is relatively inexpensive for being L-series glass, the difference in optical quality is almost imperceptible from the f/2.8, and it's sturdy and ergonomic enough to use all day long.
When I plan on shooting the whole day, especially over the course of several days, this is the lens I take with me, NOT the f/2.8 IS. It's shorter, narrower, and lighter. While you may not feel the difference when shooting for a couple of hours, take two people of equal endurance and strength and give them the f/4 and f/2.8 IS and send them out for a day and you know who is going to come back with the sore arms when the day is over.
On a 1.6x FOVCF body, the 70-200mm focal range makes this lens a little tight; but at 1.3x or 1.0x FOVCF, this focal length range is quite awesome. When I travel, I like to pair this lens with the 17-40mm f/4 and use my feet to fill the gap between 40 and 70mm (I also take along el-cheapo 50mm f/1.8 so I can shoot in low light, and the 1.4x teleconverter to give myself an effective 450mm reach) -- all of this is a good, lightweight, relatively inexpensive package. Also, while being quite a chunk of pocket change, this lens is nowhere near as expensive as the f/2.8 versions, and so it's a lot less of something to worry about when traveling or shooting under adverse conditions.
As so far, I have found NOTHING that I do not like about this lens (well, except for the one-stop loss from f/2.8).
I have to say that if you are looking for a single lens to do General Purpose work, this is not it. This lens is for specfic purposes. This lens works best as one-half of a pair, taking the upper useful focal lengths, while you use something like the 17-40mm f/4L or the 24-70mm f/2.8L to handle lower range of focal lengths. If you're looking for a carry-everywhere never-change lens, try the 28-135mm f/3.5-5.6 IS lens. It's a great value, the focal length range is in the sweet spot, and the optics are not bad.
Otherwise, if you fit into one of the three categories at the beginning of this post, I would highly recommend this lens to you.

Incredible quality at a reasonable price, February 20, 2004

By

mister_t42 (Andover, MA) - See all my reviews

This review is from: Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

In my opinion, this Canon lens provides the best value in Canon's entire line up of "L" glass (lenses). If you have never used an L lens before, this will open your eyes to what you have been missing. Very fast focusing, very sharp images, very little chromatic abberation, and consistent quality through the entire zoom and aperature range.

One note; with a widest aperature of f/4 and a long focal length, you will not be able to take indoor photos without excellent lighting or a flash. I've tried to take photos of ice hockey, where the rinks are notoriously poorly lit, and had very little success. Even with a tripod it is a challenge to maintain a fast enough shutter speed to freeze the action of a kids game (yes, even with ISO at 800). But in good lighting or outdoors in the daytime, this lense rocks.

Great sports photos. Great nature photos. This lense is extremely versatile. I have even used it with flash indoors for portrait photography.

There is not too much to mention on the negative side. Its size and color do make it stand out a bit in public, and people may thing you are a professional photographer. I've also noted that the depth-of-field with a wide open aperature, especially at f4, is very narrow. As long as you've been careful to focus on your subject, the background will be blurry. But focus on something other than your subject and you may find your subject to be blurry.

All in all, this is one great lens that will let you take very sharp photos. And it is a bargain price compared to its f/2.8 and f/2.8IS sibliings.

Good Lens but......, August 7, 2006

By

R. Robillard "Verdoot" (Virginia Beach, VA) - See all my reviews
(REAL NAME)

Amazon Verified Purchase(What's this?)

This review is from: Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

Like many people my decision on a telephoto zoom lens came down to buying the Canon 70-200mm f/4L or the Canon 70-300mm f/4-5.6 IS USM. The trade offs seemed clear at first. The former performs slightly better (see Canon website for MTF data), is better designed & built, is faster and has the "L" lens status. User comments and ratings (at more than one site) are slightly more favorable for the L lens. The 70-300mm has an improved IS and of course a longer focal length. Both cost about the same so money was not a factor in my decision.
I eventually decided on the L lens and was initially disappointed. Photos ranged from wonderful to not very good at all. In fact, I almost returned the lens. Eventually I figured out the problem. My yard is heavily shaded so most of the initial photo's were taken in low light and I had selected shutter speeds that were too slow. To avoid camera shake you need to shoot at the reciprocal of the focal length or faster. Sounds simple but with the Digital Rebel XT (which I was using) you need to consider the camera's 1.6 multiplication factor. So at 200mm you need a shutter speed of 1/320 or faster not 1/200 like I initially thought. Once I made the speed adjustment things changed for the better.
Still I have some mixed feelings about my decision. When the light is good this is a fantastic lens but with the IS feature offered on the 70-300mm I would probably get photos that I will miss with this lens.
I can't fault the performance of this lens for its limitations and I have given it 5 stars. In other words it does what it is supposed to do very well but my message to other buyers is to consider where you are most likely to use the lens before buying. Remember IS becomes increasingly important as you extend the focal length. If your camera is already extending it by a factor of 1.6 you may find IS a very attractive feature.
(Note the 70-300mm has a recall on certain model numbers because of problems when using the lens in a portrait position.) By the way, I purchased from Amazon and it was a flawless transaction!

Canon EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens for Canon DSLR Cameras

by Canon

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List Price:$1,100.00

Price:$529.00

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Technical Details

• Standard zoom lens; 18-200mm f/3.5-5.6
• Canon's Optical Image Stabilizer technology allows sharp hand-held shots at shutter speeds up to four stops slower than otherwise possible
• 11 elements in 9 groups; aspherical lens element to correct aberration
• For EOS 50D, 40D, 30D, 20D, 20Da, Rebel XSi/XS, Digital Rebel XTi/XT and Digital Rebel cameras

Canon EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens: Recommended by dpreview.com

The EF-S 18-200mm F3.5-5.6 IS is a lens which many Canon users have been waiting for with great anticipation, as an ideal 'all-in-one' lens for travel and 'walkaround' use. In the flesh it behaves much as we'd expect from such an ambitious design, as an 11x zoom range will always necessitate some fairly major optical compromises. Wideangle performance is distinctly mediocre due to a combination of barrel distortion, chromatic aberration, and softness at wide apertures; and while the lens is respectably sharp at longer focal lengths, this is tempered by pincushion distortion around 50mm and chromatic aberration at 200mm. However Canon has to be given some credit for providing users with free software which can compensate for those lens aberrations in RAW conversion, although it can't of course cure underlying sharpness issues.

Product Details

• Product Dimensions: 5 x 4 x 3 inches ; 1.8 pounds
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
• ASIN: B001ET6QFY
• Item model number: 18-200mm Lens

 

 

Product Description

Manufacturer Description

Compact, lightweight and a wide magnification range--this standard zoom lens features a wide focal length range from normal to telephoto equivalent to 29-320mm in the 35mm format. It features an Optical Image Stabilizer for up to 4-stops of effective correction even at full zoom. Since Canon's optical image stabilization system is in the lens, not in the camera, you can see the stabilized, steadier images through the viewfinder. And the circular aperture can give beautiful background blur effects. This new wide zoom ratio EF-S lens delivers excellent high-speed performance at an affordable price.

Product Description

Compact, lightweight and a wide magnification range - this standard zoom lens features a wide focal length range from normal to telephoto equivalent to 29-320mm in the 35mm format. It features an Optical Image Stabilizer for up to 4-stops of effective correction even at full zoom. Since Canon's optical image stabilization system is in the lens, not in the camera, you can see the stabilized, steadier images through the viewfinder. And the circular aperture can give beautiful background blur effects. This new wide zoom ratio EF-S lens delivers excellent high-speed performance at an affordable price.

Most Helpful Customer Reviews

260 of 265 people found the following review helpful:

5.0 out of 5 stars A great walkabout and travel lens at a very useful focal length range!, November 12, 2008

By

ƒůŽźŸ ωŬ&#... (Denver, CO) - See all my reviews
(TOP 1000 REVIEWER)

This review is from: Canon EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens for Canon DSLR Cameras (Electronics)

Fuzzy Wuzzy's Summary:
***** Highly recommended with warm fuzzies!
Having used the Canon EF-S 17-85mm f/4-5.6 Image Stabilized USM SLR Lens for EOS Digital SLR's for about two years now, this is the perfect focal length range for use as a day-to-day walkabout lens on my Canon 40D. Other Canon gear that I have include their excellent Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras , their razor-sharp Canon EF 70-200mm f/4 L IS USM Lens for Canon Digital SLR Cameras , Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens for Canon EOS Cameras , the extremely sharp Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras , Canon MP-E 65mm f/2.8 1-5X Macro Lens for Canon SLR Cameras , and Canon MR-14EX Macro Ring Lite for Canon Digital SLR Cameras.
In low light or wider-angle scenery shots, this lens is not as sharp as my 17-55mm f/2.8. When used to photograph macro-like shots of butterflies and flowers, it is not as sharp as my 100mm f/2.8. When used at its 200mm focal length to focus onto distant birds and turtles sitting on a stone in a pond, it is not as sharp as my 70-200mm f/4L. But as a one-lens solution for covering that kind of focal lengths, it is pretty good. On sunny days, I use this lens on a 40D with a B&W multi-coated MRC Kaesemann Circular Polarizer. I consider this to be a very useful hiking/travel/walkabout lens, or if (like me) you hate changing lenses back and forth :-) , or if capturing the moments in both wide-angle and zoom situations is more important than getting that perfect shot by carrying multiple lenses and/or camera bodies. This is my first experience with a Canon lens that does not use USM, and the micro-motor is barely slightly slower and noisier than USM... but not knowing what to expect, I was expecting even slower focusing and, in nearly all situations, I found its focus speed totally adequate - still very quick and without any back-and-forth hunting in lower lighting. But my main gripe about this lens is that Canon did not use USM (who knows what kind of marketing decisions went into this, much as I wondered why the 40D had a 3.0-inch LCD but kept the same 230,000 pixels as the 2.5-inch LCD on the 30D - one of my main gripes with the 40D). For the price, Canon should have included USM with full-time manual focusing. But I did notice that the price has dropped by more than 60 dollars since I bought the lens less than three weeks ago.
The use of a zoom lock switch to prevent lens creep is a very welcome addition that I always wished that their 17-85mm and 17-55mm lenses also had. Because of the 11 lens elements in this lens, it slides out to a zoomed length far more than my 17-85mm lens does when the camera is pointing downward and slung around my neck and/or shoulder. Other superzooms have this same lens creep problem and this is likely a design compromise that the Canon engineers had to consider in still wanting to minimize the amount of friction and effort it takes to turn the zoom ring versus the propensity of the lens elements' weight to pull the zoom downward due to gravity. I have learned to always flick the zoom lock switch on when I am just carrying the camera, quickly flick the zoom lock switch off as I begin to aim and focus (after a short while, it becomes easily habitual to use the middle or ring finger of my right hand to lock/unlock the zoom lock switch while aiming), and to just hold the camera more horizontal if I am actively looking to photograph more. The lens does not rotate during focusing, so circular polarizer filters stay in place.
Unlike Canon's USM lenses, the micro-motor focus design of this lens does not allow you to override the autofocus mechanism until you first flip the AF/MF switch on the lens. Furthermore, while the 17-85mm lens lets you use both the focus ring and zoom ring when the lens hood is inverted on the lens, on the 18-200mm lens, since the slim manual focus ring is now placed at the very front of the lens (and in front of the much-wider zoom ring), when its Canon EW78D Lens Hood for EF 28-200mm f/3.5-5.6 Canon SLR Lens (not included with the lens) is inverted, the lens hood's "petals" block most of the focus ring and I have to use my middle finger and thumb to reach in between the hood petals to rotate the focus ring when the hood is screwed on in its inverted position. I would have much preferred that Canon either (a) retain the same focus-ring-closer-to-camera-body design that they used on the 17-85mm, or (b) increase the width of the focus ring so that it is more accessible when the lens hood is inverted onto the lens. But with the zoom ring being 2.2" wide, the bulk of the lens barrel is occupied by the zoom ring, as if Canon expects that most people will not be using manual focus much on this lens. Since I mainly use manual focus on my two 65mm and 100mm macro lenses, this is not that big of a deal for me. In looking across Canon's entire zoom lens product line, Canon seems to be inconsistent in their placement of the zoom and focus rings, with some lenses having the zoom ring closer to the camera body, and some lenses having the focus ring closer to the camera body.
At both 18mm and 200mm wide open, the image corners can be a little on the soft side, but when stopped down between f/5.6 and f/11, the image is sharp from edge to edge. But even Canon's 28-300mm L glass, which is also f/3.5-5.6, has its share of design compromises and sharpness issues in a superzoom lens design. So I think that any lens encompassing this sort of zoom range will be tripping over the physical limitations of what can be achieved when compared with a lens with a smaller zoom range. A 18-200mm lens at a fixed f/2.8 with USM and L-grade glass and weather sealing in a lens that weighs less than 3 pounds would be wonderful, and I would gladly pay a lot more for it as single-lens travel/walkabout lens solution, but that product still only exists in my dreams right now.
This 18-200mm lens will now make my 17-85mm lens the least-used lens that I have, so I may eventually end up selling the 17-85mm lens.
I have posted 3 sample shots taken at Denver Botanic Gardens and 19 shots from having spent 4 weeks in South Africa to the image gallery for this lens. This was a great lens to take on an extended vacation where multiple camera bodies and lenses would have weighed me down more and the dusty conditions of an African safari make it difficult to cleanly change lenses (not to mention that wildlife often does not wait for you to switch your camera gear around!) There were some times during my vacation when I wished that I had my 17-55 f/2.8 with my travel-sized tripod, but for most shots, you would have to squint at the pixel level to notice differences in the sharpness of daytime shots (i.e. 11x14" and 13x19" prints look great!)
December 14 2009 update add-on to my original review: Even though I keep thinking about eventually moving to full-frame, I just got the Canon 7D (still keeping my 40D, and wondering what to do with my 30D), and as a daily "only one lens and only one camera body" walkabout/travel combination, this 18-200mm lens ROCKS when used with my spanky new 7D :-)))) My other favorite combination, when I do not mind lugging the extra bulk and weight, is to carry both the 70-200mm f/4L on my 40D and my 17-55mm f/2.8 on my 7D, with the 7D in the hand and the 40D in the Think Tank Digital Holster 30. My issue with just carrying only a 17-55m or 17-85mm as a general walkabout lens is that, all too often, I find interesting things to photograph that need more than a 55mm or 85mm reach, especially when it comes to photographing wildlife or strangers (e.g. I like shooting "everyday people doing everyday things" in foreign countries) and trying to get closer to the subject may not be practical.

Canon EF-S 18-200mm Review, August 28, 2009

By

Chris96326 (San Francisco, APO) - See all my reviews

This review is from: Canon EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens for Canon DSLR Cameras (Electronics)

Where do I start... This lens gets the most action/time on my camera. Images are clear and color accurate and the zoom range makes it hard to take off. I am a 1:1 ratio person that hates photos that only look good from far. I try for that pixel to pixel perfection that makes my hobby harder, but so much more enjoyable when done right. I don't use or run photos thru photoshop, because a part of me thinks it is cheating (leads me to retake photos often). I suppose someday I will change, but until then, I want a simple and clean photo.
The 18-200mm has surprised me over and over. I have compared it to my L lenses and it keeps up. If you go to Canon's website check out the lens diagram info, the guts of this lens is very, very, very close to the L 24-105mm. I had to check because it was surprising me too often. In real life, I have taken the same shots between the two and find myself checking DPP (Canon's Digital Photo Professional software) to see which lens took which photo. When I test new lenses during an event, the 18-200 goes back on for the rest of the event because it produces GREAT shots and saves time in lens changes and looking like a wannabe pro. The only comparible L lenses I have in this range are the 24-105mm and the 70-200mm, both f4 and with IS. This lens STILL trumps them when it comes to function. My only complaint is the vignetting which usually only shows up when I photo something in the sky. I let is go until it get a great shot and that shot i open with DPP and let it remove it. My 50D has an option to do this in camera, but I have all that post shot cheating turned off. (no noise reduction, auto highlights, etc...)

Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

by Canon

4.9 out of 5 stars See all reviews (107 customer reviews) | Like(170)

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List Price:$4,000.00

Technical Details

• EF 70-200mm f/2.8L IS USM II telephoto zoom lens
• Compatible with Canon EOS film and digital SLR cameras
• Effective focal length:
• 70-200mm with full-frame digital or film cameras
• 112-320mm with APS-C sensor cameras

Product Details

• Product Dimensions: 12 x 7.5 x 7.5 inches ; 2.9 pounds
• Shipping Weight: 7 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
• ASIN: B0033PRWSW

Product Description

From the Manufacturer

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Lens Specifications

• Focal Length & Maximum Aperture: 70-200mm 1:2.8
• Lens Construction: 23 elements in 19 groups (1 Fluorite and 5 UD elements)
• Diagonal Angle of View: 34° - 12°
• Focus Adjustment: Inner focusing system with USM. Full-time manual focus available.
• Closest Focusing Distance: 1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
• Filter Size: 77mm
• Max. Diameter x Length, Weight: 3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g

Product Description

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Significant Improvement!, March 21, 2010

By

Brian Bernard "BB" (Chicago) - See all my reviews
(REAL NAME)

This review is from: Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

I used the Mark I version for the past six months and although I loved that lens, I sold it on Amazon a month ago (for 1,599!)and then used the cash to upgrade.
I struggled a bit with the high price but, now that I've seen the results, no longer question the decision. The images on the Mark I often had me slightly let down by either the sharpness or the contrast. I've taken hundreds of shots now with the Mark II and am amazed and how good they look right out of the camera. If you are a perfectionist that agonizes over sharpness, this is your lens!

 Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR Cameras

by Canon

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List Price:$760.00

Price:$438.00

 

 

Technical Details

• 28-135mm standard zoom lens with f/3.5-5.6 maximum aperture for Canon SLR cameras
• Delivers sharp, natural-looking pictures in dim lighting without requiring flash or tripod
• Ring-type USM adjustment system for swift, silent autofocusing and full-time manual focus
• Close focusing distance of 20 inches; 75- to 18-degree diagonal angle of view
• Measures 3.1 inches in diameter and 3.8 inches long; weighs 18.9 ounces; 1-year warranty

Product Description

Amazon.com Product Description

Equipped with an Image Stabilizer and high zoom ratio, the Canon EF 28-135mm standard zoom lens delivers sharp, natural-looking pictures virtually ever time. The lens is particularly handy for places where flashes are prohibited, as it excels in dim lighting without requiring a flash or a tripod. Other features include a ring-type USM for swift, silent autofocusing and full-time manual focusing; a close focusing distance of 20 inches; and a maximum aperture of f/3.5 to 5.6. The lens carries a one-year warranty.

• Focal length: 28-135mm
• Maximum aperture: 1:3.5-5.6
• Lens construction: 16 elements in 12 groups
• Diagonal angle of view: 75 to 18 degrees
• Focus adjustment: Rear focusing system with USM
• Closest focusing distance: 1.6 feet
• Zoom system: Rotating type
• Filter size: 72mm
• Dimensions: 3.1 inches in diameter, 3.8 inches long
• Weight: 18.9 ounces

Product Description

Camera Lens, Canon, Canon EF 28-135mm f/3.5-5.6 IS USM Zoom Lens, 2562A002

 Rokinon FE8M-C 8mm F3.5 Fisheye Lens for Canon (Black)

by Rokinon

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List Price:$299.95

Price:$289.00 & this item ships for FREE with Super Saver Shipping. Details

 

Technical Details

Style: Canon

• 180 degrees angle of view
• Built-in petal type hood
• 10 Elements in 7 groups
• Aperture range of F/3.5 ~ 22

Product Description

Style: Canon

From the Manufacturer

The NEW ROKINON 8mm Ultra Wide Angle Fisheye Lens is the most affordable 8mm Fisheye Lens in the market. It features the widest field of view over any other 8mm fisheye lens, and its build quality and optical construction are superb. The ROKINON 8mm lens is designed for digital SLR cameras with APS-C image sensors. For these types of cameras, it provides full-frame coverage - which means that pictures will cover the entire frame. It is also compatible with cameras that have a full-frame sensor. For cameras with full-frame sensors, the lens will produce pictures with a semi-circular image and close images will appear proportionately large for a dramatic effect. The ROKINON 8mm lens creates images with an expanded and exaggerated perspective and an extremely wide 180° angle of view. The lens is available for the following mounts: Canon EOS, Nikon, Sony Alpha, Pentax & Olympus 4/3.

Features:

• Ultra-wide 180 degree diagonal field-of-view for APS-C size image formats
• Lens is constructed with hybrid aspherical lenses for outstanding, sharply defined images
• Lens features super multi-layer coating to reduce flares and ghost images
• Lens has a minimum focusing distance of 12 inches for enhanced close-up shots
• Lens includes a built-in petal type hood

Sample Photos:
See attached sample photos taken with this lens:

Product Description

Rokinon 8mm F/3.5 Fisheye Lens for Canon; Lens creates images with an expanded perspective and allows user to capture a very unique perspective; Lens Conforms to APS-C (1:1.5x) size digital imaging format; Lens Actualizes 8mm focal length and a diagonal angle of view of 180 degrees for APS-C size; Lens Corrects aberrations using a complex aspherical lens; Manual Focus; Aperture range of F/3.5 ~ 22; Built-in Petal type hood and multi-coating help control flaring and ghosting; Minimum focusing distance of 12 inches (0.3m); Includes Lens Pouch, Instruction Manual, and One Year Rokinon Warranty

Waaay better than the peleng, October 22, 2010

By

G. Cerpa "cerpa" (Guadalajara, Jalisco Mexico) - See all my reviews
(REAL NAME)

Amazon Verified Purchase(What's this?)

This review is from: Rokinon FE8M-C 8mm F3.5 Fisheye Lens for Canon (Black) (Electronics)

Well what can I tell you, this lens is awesome, I've testes it and let me tell you some of the results I noticed:
- The amount of flare (even pointing the lens towards the sun) is minimal, it really surprised me in a very positive way.
- It doesn't darkens the corners or produce vignetting effect AT ALL!
- The quality in the final pictures is superb, the pictures are crisp sharp even in the edges!
- Unlinke the peleng lens, the rokinon does fill the entire frame of the picture with no empty corners.
- It does not have the annoying lock ring of the peleng.
- When you handle the lens it feels great, the build quality is great and the rubber grip in the focus ring is awesome, its heaviness makes it feel like a solid rock and well built pice of glass; and, unlike the peleng, it does look modern!
- The colors look nice and saturated in the final pictures.
I loved this one, and I can truely say that this lens will exceed your expectations, the best bang for the buck!
Note for the buyers: this lens is also sold under other brands such as: opteka, samyang, falcon; but it's the same glass

An underrated great lens from Samyang, November 1, 2010

By

E. Hung (USA) - See all my reviews
(REAL NAME)

Amazon Verified Purchase(What's this?)

This review is from: Rokinon FE8M-C 8mm F3.5 Fisheye Lens for Canon (Black) (Electronics)

If you are reading the review for this lens, you are looking at a highly underrated lens. The performance of this lens has surprised a lot of critics including Ken Rockwell and photozone. If you are out there shooting with fisheye, you definitely should not mind about manual focus and manual aperture. Otherwise, go ahead and spend 3 times as much of your hard earned money on Sigma or at least 4 times as much on the new Canon 8-16mm L which hasn't been shipped yet. BTW the price of this Samyang fisheye has dropped to $263. Hello? How much does the plasticy Canon kit lens cost? For the quality of its optics and build (metal), the Samyang is a real bargain. The first thing I did with this lens was to shoot toward the sun and confirmed that flares were very well controlled. You get a nice single streak of flares and they are not all over the place. Just be realistic with laws of physics, you cannot expect no flare at all with such wide angle even with nano or whatever coating. This Samyang is arguably the best choice for APC DSLRs with all factors considered. And it 's made in Korea too unlike some N company with cheap Chinese made lenses.

 Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras

by Canon

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List Price:$4,000.00

Price:See price in cart(Why don't we show the price?)

Technical Details

• EF 70-200mm f/2.8L IS USM II telephoto zoom lens
• Compatible with Canon EOS film and digital SLR cameras
• Effective focal length:
• 70-200mm with full-frame digital or film cameras
• 112-320mm with APS-C sensor cameras

Product Description

From the Manufacturer

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Lens Specifications

• Focal Length & Maximum Aperture: 70-200mm 1:2.8
• Lens Construction: 23 elements in 19 groups (1 Fluorite and 5 UD elements)
• Diagonal Angle of View: 34° - 12°
• Focus Adjustment: Inner focusing system with USM. Full-time manual focus available.
• Closest Focusing Distance: 1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
• Filter Size: 77mm
• Max. Diameter x Length, Weight: 3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g

Product Description

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

Much sharper than the MKI, July 3, 2010

By

E. Cruz (South San Francisco, CA United States) - See all my reviews
(REAL NAME)

Amazon Verified Purchase(What's this?)

This review is from: Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

The 1st version was my favorite zoom in my bag which had the 16-35mm 2.8L and the 24-70 2.8L because it was so much sharper than the other two. I was really happy with the 1st version and wouldn't have replaced it if this never came out. Now that the price has come down, about $130 from the original price, that should pay for a good B+W 77mm UVA (Ultra Violet) Haze MRC Filter #010. Don't gimp this lens with a plastic coaster from Ritz!
The image stabilization improvement is noticeable! Before I sold the 1st version for $1,550 (June 2010), I compared the two indoors handheld. I couldn't believe how 1 stop of IS really improved the quality and sharpness of the photos in low light.
With a crop sensor camera Canon EOS 7D 18 MP, Canon EOS 50D 15.1MP, or Canon EOS Rebel T2i 18 MP, this lens is effectively: 112mm - 280mm.
It works great with the Canon EF 1.4X II Extender Telephoto Accessory, it brings the max aperture down to f4, but it is still pretty sharp.
Paired with a 7D or any other 1.6 crop lens, it will become a 156mm - 448mm lens!
I use with this lens with my 7D or the Canon EOS 5D Mark II. It works perfect for both and did not feel like I had to Micro Adjust the focus.
For 1st time buyers of this lens.
- Watch canonpricewatch dot com.
- If you never owned an L lens, you will be shocked at how sharp this is (then again, most L lenses should have that effect)
- If you never had Image Stabilization, this will allow you to take sharper photos indoors. It will reduce motion blur from lens movement, but not from the subject where the larger aperture has greater effect.
- It is weather sealed (you'll notice a black o-ring at the mount) - you'll need to add a lens filter to complete the sealing.
- You can use this for sports to portrait photography. For portraits, you get excellent bokeh at 200mm / f2.8 (the smooth background blur where your subject is in focus)
For those upgrading from the original Canon EF 70-200mm f/2.8L IS USM, I didn't think there was much to improve on (I was wrong!)
- That lens came out in September 2001, so you are taking advantage of 9 years of technological advancement
- The buttons are designed better - I hated how I always switched to MF when shooting! This is now a non-issue (no need to tape it down)
- Second generation Image Stabilization technology that is silent, you could hear the motor sound of the gyro in the first version. You get 4 stops vs 3 stops IS.
- Improved optics - it has one fluorite and five UD elements for increased optical quality. You get reduced flare, which improves contrast (Your brain tells you it is "sharper")
- This focuses much closer at 1.2m/3.9 ft (improved by 8.1" at 200mm) - better for tight indoor portraits
- Focuses faster and quieter
- Larger focus grip area
- Improved hood Canon ET-87 - it has a lock that makes it easier to put on and remove. It has a different texture that is less susceptible to scratches.
- Bottom line, it is worth the upgrade, especially if you plan to keep it for many years.
Cons
It is expensive - but you get what you pay for
It is heavy, especially if you never owned L glass, but to maintain a fixed aperture at f2.8 throughout the zoom range requires lots of glass! Just stop being a wimp already.
Tips:
There are two modes of Image Stabilization: I rarely take it off Mode 1, but use Mode 2 if you plan to pan left or right (to follow a car or someone running)
The focus distance selector is handy, be sure to use if you find that it isn't focusing indoors, it could be that you selected 2.5m - infinity.
Take off the tripod collar if you hand hold it a lot - it just gets in the way sometimes.

Significant Improvement!, March 21, 2010

By

Brian Bernard "BB" (Chicago) - See all my reviews
(REAL NAME)

This review is from: Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras (Electronics)

I used the Mark I version for the past six months and although I loved that lens, I sold it on Amazon a month ago (for 1,599!)and then used the cash to upgrade.
I struggled a bit with the high price but, now that I've seen the results, no longer question the decision. The images on the Mark I often had me slightly let down by either the sharpness or the contrast. I've taken hundreds of shots now with the Mark II and am amazed and how good they look right out of the camera. If you are a perfectionist that agonizes over sharpness, this is your lens!

 Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

by Canon

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List Price:$400.00

Price:$200.81

You Save: $199.19 (50%)

 

Technical Details

• Focal Length & Maximum Aperture: 55-250mm F/4-5.6
• 12 Elements In 10 Groups, Including One UD-glass Element
• Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
• Closest Focusing Distance: 3.6 Ft./1.1m

Product Description

Amazon.com Product Description

Incorporating Canon's Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, the image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty.

Specifications

• Focal length: 55-250mm
• Maximum aperture: f/4 to f/5.6
• Lens construction: 12 elements in 10 groups, including one UD-glass element
• Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors
• Focus adjustment: DC motor, gear-driven (front focusing design)
• Closest focusing distance: 3.6 feet (0.31x maximum close-up magnification)
• Filter size: 58mm
• Dimensions: 2.8 inches in diameter and 4.3 inches long
• Weight: 13.8 ounces
• Warranty: 1 year

Product Description

This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.